Comments on: Tagged from del.icio.us http://nastynets.com/?p=261 internet surfing club Mon, 30 Jan 2012 07:34:08 +0000 hourly 1 http://wordpress.org/?v=3.2.1 By: pete http://nastynets.com/?p=261&cpage=1#comment-170 pete Wed, 25 Oct 2006 22:35:12 +0000 #comment-170 Hey Joel, been away all week..... thanks for the article... am printing now..brb pete Hey Joel, been away all week…..
thanks for the article… am printing now..brb

pete

]]> By: joel http://nastynets.com/?p=261&cpage=1#comment-168 joel Wed, 25 Oct 2006 03:20:21 +0000 #comment-168 http://nastynets.com/secretstash/KRAUSS.zip http://nastynets.com/secretstash/KRAUSS.zip

]]> By: joel http://nastynets.com/?p=261&cpage=1#comment-146 joel Sat, 21 Oct 2006 09:27:13 +0000 #comment-146 Looking at this, and seeing what you have been doing with these hypertemps, I think about how you are taking an image and using time and bandwidth to break up the image into a dynamic image. It was making me think of a Rosalind Krauss text about Picasso that someone was mentioning to me lately. She was talking about if all elements on the picture plane can be moved around as disperate elements then 2-dimension and 3-dimensions can be moved around as disperate elements as well. These hypertemps use the image, the style of animation, and the structure of the internet experience (bandwith, memory, processor speed etc.) as disperate elements to form each of these unique events. I was searching all over google books for Krauss's writtings on Picasso and couldn't really find much, but I did find this one page from a book called The Optical Unconscious. Although I do not really know the context of this page it seems to be kind of on point. <img src="http://www.nastynets.com/secretstash/krauss.jpg"> Looking at this, and seeing what you have been doing with these hypertemps, I think about how you are taking an image and using time and bandwidth to break up the image into a dynamic image. It was making me think of a Rosalind Krauss text about Picasso that someone was mentioning to me lately. She was talking about if all elements on the picture plane can be moved around as disperate elements then 2-dimension and 3-dimensions can be moved around as disperate elements as well. These hypertemps use the image, the style of animation, and the structure of the internet experience (bandwith, memory, processor speed etc.) as disperate elements to form each of these unique events.

I was searching all over google books for Krauss’s writtings on Picasso and couldn’t really find much, but I did find this one page from a book called The Optical Unconscious. Although I do not really know the context of this page it seems to be kind of on point.

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