“Untitled (symbiotic relationship/dance party)”, 2003 by Peter Coffin in collaboration with Brett Milspaw. Drum, mexican jumping beans, lights, heater, contact mics, amplifier, effects box, chair and headphones.

“min_mod [minimum_module]“, 2004 by Limiteazero.

“Flight” by Meridith Pingree. The sound of the footsteps is pitch-shifted it so low that the sound is barely audible, then amplified enough to create the live flapping motion in the bungee-suspended giant subwoofer creature.

»Feedback«, 2004 by Gunilla Klingberg

“Hard to explain” by Émilie Pitoiset.

»Model 432001«, 2006

»Present Arms«, 2002 and

»Glory Arms – Lake Placid Blue«, 2003 by Yoshihiko Satoh.

»The Good, the Bad, and the Ugly« (3 Rek-O-Cut turntables, wood, aluminum, Hardware, Mixer, Amplifier, Speakers, 3 Ennio Morricone LPs) from 2006 and »Kraftwerk« (3 2055 Kenwood Turntables, mixer, speakers, Kraftwerk record albums) from 2005 by Sean Duffy.

Jiri Cernicky rented a limousine and decorated the hood with his girlfriends body.

»Home Explosion« is an environmental installation with lamp and video.

»Progres« sculptures and their manufacturing process in Moldavia.

Tear-shaped mini-amplifiers. All projects by Jiri Cernicky.