»Copperhead #81«, 1990 by Moyra Davey.

»The Commons«, 2011 by Paul Ramírez Jonas.

»Concrete Gardens (Roman)«, 2010 by Wilfrid Almendra.

»Love Me, Love Me Not: Changed Names«, 2010, a book by Slavs and Tatars with a selection of 150 cities within the artists Eurasian remits, that were renamed throughout history.

“Glasses”, 2004 by Finnbogi Petursson.

»Versuchsreaktor (experimental reactor)«, 2009,

»Herterichstraße«, 2001 by Michael Sailstorfer.

»Work and Trade«, 2009 by William Lamson.

»Colored Vases« (Neolithic vases (5000 – 3000 BC) and acrylic) by Ai Weiwei.

»Goodnight mom, goodnight dad«, 2008 by Johan Thurfjell.

»THE RESTORATION PROJECT« is an ongoing work which started in June 2006. It examines the process of restoration as an endeavor spanning two moments in time: the production of the artwork (A) and its reception (C). By focusing on the time in between (B), the restoration itself highlights the temporality of an artwork, subtly altering its effects and changing its conditions of visibility. The first time this project was exhibited a restorer was resident in the gallery over a five-week period, working on a number of paintings carefully chosen on subjects that run through Marine Hugonniers practice. The exhibition featured a working laboratory including an easel, chair, cabinet. Viewers were invited back to the gallery to witness the project’s fruition.