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	<title>VVORK &#187; composer</title>
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		<link>http://www.vvork.com/?p=25021</link>
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		<pubDate>Sat, 19 May 2012 13:17:40 +0000</pubDate>
		<dc:creator>mail</dc:creator>
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		<category><![CDATA[composer]]></category>
		<category><![CDATA[deep listening]]></category>
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		<description><![CDATA[»Bye Bye Butterfly« by Pauline Oliveros.]]></description>
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<p>»Bye Bye Butterfly« by <a href="http://www.paulineoliveros.us/" target="_blank">Pauline Oliveros</a>.</p>
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		<link>http://www.vvork.com/?p=25009</link>
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		<pubDate>Sat, 19 May 2012 13:09:43 +0000</pubDate>
		<dc:creator>mail</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
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		<category><![CDATA[singer]]></category>
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		<category><![CDATA[vocal]]></category>

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		<description><![CDATA[Maja Ratkje live in Paris, 1995.]]></description>
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<p><a href="http://ratkje.no/" target="_blank">Maja Ratkje</a> live in Paris, 1995.</p>
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		<link>http://www.vvork.com/?p=21067</link>
		<comments>http://www.vvork.com/?p=21067#comments</comments>
		<pubDate>Sun, 17 Oct 2010 00:50:26 +0000</pubDate>
		<dc:creator>mail</dc:creator>
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		<category><![CDATA[audio]]></category>
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		<description><![CDATA[»Diatope Sketch«, 1978/1979 by Iannis Xenakis.]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.vvork.com/wp-content/uploads/2010/10/xenakis.jpg" alt="" title="" width="500" height="345" class="alignnone size-full wp-image-21066" /></p>
<p>»Diatope Sketch«, 1978/1979 by <a target="_blank" href="http://www.iannis-xenakis.org/">Iannis Xenakis</a>.</p>
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		<link>http://www.vvork.com/?p=7799</link>
		<comments>http://www.vvork.com/?p=7799#comments</comments>
		<pubDate>Wed, 17 Sep 2008 08:33:10 +0000</pubDate>
		<dc:creator>mail</dc:creator>
				<category><![CDATA[Cologne]]></category>
		<category><![CDATA[composer]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[laptop]]></category>
		<category><![CDATA[media]]></category>
		<category><![CDATA[music]]></category>
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		<description><![CDATA[&#8220;More&#038;more&#8221;, 2007 by Hans W. Koch.]]></description>
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<p>&#8220;More&#038;more&#8221;, 2007 by <a target="_blank" href="http://www.hans-w-koch.net">Hans W. Koch</a>.</p>
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		<link>http://www.vvork.com/?p=2442</link>
		<comments>http://www.vvork.com/?p=2442#comments</comments>
		<pubDate>Wed, 01 Nov 2006 23:15:04 +0000</pubDate>
		<dc:creator>mail</dc:creator>
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		<category><![CDATA[motion]]></category>
		<category><![CDATA[movement]]></category>
		<category><![CDATA[obrist]]></category>
		<category><![CDATA[speed]]></category>
		<category><![CDATA[symphony]]></category>
		<category><![CDATA[tape]]></category>
		<category><![CDATA[time]]></category>
		<category><![CDATA[transcription]]></category>
		<category><![CDATA[transformation]]></category>
		<category><![CDATA[type]]></category>
		<category><![CDATA[typography]]></category>

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		<description><![CDATA[»HUO Drawings«. In spring of 2003 Charles Gute had the privilege of proofreading Hans Ulrich Obrist&#8217;s Interviews: Volume 1. With an awareness of the author&#8217;s art world stature, paired with a name that seems to have a greater-than-average vulnerability to typographic inconsistency, these drawings were created as a kind of cathartic antidote. »Dutch Tape Funeral [...]]]></description>
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<p>»HUO Drawings«. In spring of 2003 <a href="http://www.charlesgute.com/" target="_blank">Charles Gute</a> had the privilege of proofreading Hans Ulrich Obrist&#8217;s Interviews: Volume 1. With an awareness of the author&#8217;s art world stature, paired with a name that seems to have a greater-than-average vulnerability to typographic inconsistency, these drawings were created as a kind of cathartic antidote.</p>
<p><img id="image2444" src="http://www.vvork.com/wp-content/uploads/2006/11/duct1 copy.jpg" alt="duct1 copy.jpg" /></p>
<p>»Dutch Tape Funeral March (Marcia Funebre from Symphony No. 3, &#8220;Eroica&#8221;)«. The work consists of 13 rolls of duct tape initially placed at the top of the 16-foot-high gallery wall. On the day of the opening the rolls of tape were released so that they could &#8220;roll&#8221; down the wall under their own weight, a process that took over 8 hours to complete. As the tape reached mid-wall, viewers were able to see that there was a continuous strip of sheet music attached to the adhesive side of each roll. This sheet music was an actual transcription of the second movement of Beethoven&#8217;s Third Symphony, also known as the &#8220;Funeral March,&#8221; the linear length of which had been scaled to fit the 16-foot span from ceiling to floor. One of each of the 13 orchestral parts from the original score had been applied to each of the 13 rolls of tape, effecting a kind of super-slow automated performance of Beethoven&#8217;s somber work.</p>
<p><img id="image2443" src="http://www.vvork.com/wp-content/uploads/2006/11/ant2.jpg" alt="ant2.jpg" /></p>
<p>»Ant Climb Study #2« (video still) is a perceptual study of duration and movement. Here a live ant climbs the adhesive side of a length of masking tape. Appearing as an abstract mark, the ant&#8217;s progress is steady yet nearly imperceptable, akin to the movement of a minute hand on a clock. All projects by <a href="http://www.charlesgute.com/" target="_blank">Charles Gute</a>.</p>
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