“Natural Disaster Concert“, 1984 by Die Tödliche Doris.

»Versuchsreaktor (experimental reactor)«, 2009,

»Herterichstraße«, 2001 by Michael Sailstorfer.

“Microphones”, 2008 by Rafael Lozano-Hemmer.

“Composition in Progress [c.i.p.]” since 2003 by Yuko Mohri and Soichiro Mihara.

»Blowjob V«, 2009 by Wojciech Kosma.

»Blowjob«, 2008 by Wojciech Kosma.

A bag of live »Snails« with a properly protected microphone introduced in its core. The resulting sound is amplified in the same room as the bag is standing. By Fernandes Avelãs.

»Grace Jones«, 2002,

»Untitled«, 2000 by Guðrún Benónýsdóttir.

“Metronome Piece” by Akitsugu Maebayashi. The artist walks around the town bringing along a clicking metronome. The regulated clicks produced by the metronome works as ‘sonor’ which detects information of spaces, and the echoes of clicks are recorded binaurally through microphones that are placed on both of ears of him. This is how, the sound of clicks becomes the medium which transmits experience as a mixture of space and time.

» Earphones «, 2007, 960 earphones working as speakers and 40 working as microphones, making a feedback loop that can be controlled on the mixer. By Andre Avelas .