Czechoslovak Radio, 1968, by Tamás St. Turba.

»Sailing by«, 2010, cup and radio playing “Sailing by” four times a day on windowsill with river view. By Juliette Blightman.

»Where are the people that talk on the radio?«, 2009 by Spiros Hadjidjanos.

“Extended Play”, 2007 by Janek Schaefer.

“Tantalum Memorial”, 2008 by Harwood, Wright, Yokokoji.

»untitled piece«, 2007, André Avelãs

»Radio uk WM«, 2006, installation with a model of a football stadion, with all the games of the World Football Championship 2006 transmitted live over radio. By Irena Eden and Stijn Lernout.

“Rome to Tripoli”, 2006 by Paul DeMarinis.

»Long Wave Goodbye«, 2006, 33-minute sound loop by Michael Day. “Some sounds persist as signifiers of other meanings even though they rarely occur in daily life: the screech of a stylus being pulled from a vinyl record is often used as a clichéd way of drawing the audience’s attention to a sudden change of pace in visual broadcast media, even though very few people under the age of 20 will recognise the source of the sound or what it originally signified. Tuning, or dead air, may well end up the same, a signifier dislocated permanently from its signified. This piece presents a transition across the full range of the long wave spectrum available on the Technics SA-200L.”

“Aural Codes” rewires computer networks to am-radio. By Volkmar Klien.