»Contract entre les hommes et l’ordinateur«, 2010 by Judith Hopf.

“In-between the Noise” by Brian Reed.

»I love you to the moon and back«, 2001 is a large-scale poster work in two parts – a pair of handwritten inlay cards from home-made compilation tapes that the artists made for each other. By Iain Forsyth & Jane Pollard.

In the portrait series »Freundefinden« by Marion Üdema, amateur partner-search photos from the internet were used as drafts for the large format pictures of the same staging with original models.

“All together now” – Playlist and

“Pair of speakers, audio” – Audio installation in which Marshall & Marshall emit popular duets performed by famous ‘couples’. By Jack Falanga.

»One on One« (2007)

»All the Lovesongs« (2007). Two facing speakers are joined in a soundproof box, playing a short loop of a song about relationships. By Nina Jan Beier & Marie Jan Lund.

Pictures from the series “I Throw Myself At Men” by Lilly Mcelroy.

Still from »Forever«, 2006. Julika Rudelius casts five American women of a certain age for their beauty. They are posing at upscale private swimming pools and reflect on their ideas of beauty, ways to obtain it and it’s relationship with privilege. The video is punctuated by the women taking self-portraits with a polaroid camera.

Still from »Train«, 2001. Julika Rudelius invites a group of young men on the street to be in a video in which they would talk about women and love. During the filming Rudelius leads the conversation through questions (not audible in the video), but without a script.

»PPS (P.A.R.A.S.I.T.E. Public Sculpture)«, 2002 originates spontaneously in urban environments: on streets, in courtyards, next to apartment towers, by garden fences, in apartment-block communities and neighborhoods. It originates as the result of the exchange and gift economies of the local population and is linked to the micro-economy and micro-ecology of relationships. It directly reflects economic wealth/poverty, personal taste, and creativity. PPS is a temporary form. It changes constantly through unloading, shifting, adding, removing, and so on. By Tadej Pogacar.

»Love Graffiti« by André.