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	<title>VVORK &#187; similar</title>
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		<link>http://www.vvork.com/?p=24579</link>
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		<pubDate>Sun, 26 Feb 2012 00:11:20 +0000</pubDate>
		<dc:creator>mail</dc:creator>
				<category><![CDATA[beijing]]></category>
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		<description><![CDATA[»PostGarden &#8211; SPY Photo Series«, 2011 by Cao Fei.]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.vvork.com/wp-content/uploads/2012/02/20110906163020_0937.jpg" alt="" title="" width="546" height="410" class="alignnone size-full wp-image-24580" /><img src="http://www.vvork.com/wp-content/uploads/2012/02/20110906162958_0312.jpg" alt="" title="" width="546" height="410" class="alignnone size-full wp-image-24581" /></p>
<p>»PostGarden &#8211; SPY Photo Series«, 2011 by <a target="_blank" href="http://www.caofei.com/works.aspx?year=2011&#038;wtid=4">Cao Fei</a>. </p>
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		<link>http://www.vvork.com/?p=20723</link>
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		<pubDate>Sun, 15 Aug 2010 20:19:01 +0000</pubDate>
		<dc:creator>mail</dc:creator>
				<category><![CDATA[new york]]></category>
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		<guid isPermaLink="false">http://www.vvork.com/?p=20723</guid>
		<description><![CDATA[»Factum I«, 1957 by Robert Rauschenberg.]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.vvork.com/wp-content/uploads/2010/08/f1.jpg" alt="" title="" width="299" height="500" class="alignnone size-full wp-image-20722" /></p>
<p>»Factum I«, 1957 by <a href="http://arthistory.about.com/od/from_exhibitions/ig/rauschenberg_combines/rrc_10.htm" target="_blank">Robert Rauschenberg</a>.</p>
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		<slash:comments>265</slash:comments>
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		<link>http://www.vvork.com/?p=20720</link>
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		<pubDate>Sun, 15 Aug 2010 20:17:35 +0000</pubDate>
		<dc:creator>mail</dc:creator>
				<category><![CDATA[new york]]></category>
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		<description><![CDATA[»Factum II«, 1957 by Robert Rauschenberg.]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.vvork.com/wp-content/uploads/2010/08/f2.jpg" alt="" title="" width="249" height="420" class="alignnone size-full wp-image-20719" /></p>
<p>»Factum II«, 1957 by <a href="http://www.moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A4823&#038;page_number=7&#038;template_id=1&#038;sort_order=1" target="_blank">Robert Rauschenberg</a>.</p>
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		<link>http://www.vvork.com/?p=20318</link>
		<comments>http://www.vvork.com/?p=20318#comments</comments>
		<pubDate>Wed, 30 Jun 2010 16:19:13 +0000</pubDate>
		<dc:creator>mail</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
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		<guid isPermaLink="false">http://www.vvork.com/?p=20318</guid>
		<description><![CDATA[»Versions«, 2010 by Oliver Laric.]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.vvork.com/wp-content/uploads/2010/06/vv.jpg" alt="" title="" width="750" height="638" class="alignnone size-full wp-image-20320" /></p>
<p>»<a href="http://oliverlaric.com/vvversions.htm" target="_blank">Versions</a>«, 2010 by <a href="http://oliverlaric.com/" target="_blank">Oliver Laric</a>.</p>
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		<slash:comments>27</slash:comments>
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		<link>http://www.vvork.com/?p=19792</link>
		<comments>http://www.vvork.com/?p=19792#comments</comments>
		<pubDate>Tue, 27 Apr 2010 22:04:39 +0000</pubDate>
		<dc:creator>mail</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[architecture]]></category>
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		<description><![CDATA[»The Royal Exchange (after Henry Talbot)«, 2009 by Zachary Formwalt.]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.vvork.com/wp-content/uploads/2010/04/TheRoyalExchange_DSC_2183.jpg" alt="" title="" width="640" height="425" class="alignnone size-full wp-image-19791" /></p>
<p>»The Royal Exchange (after Henry Talbot)«, 2009 by <a target="_blank" href="http://www.zacharyformwalt.com/The_Royal_Exchange_sub1.html">Zachary Formwalt</a>.</p>
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		<slash:comments>13</slash:comments>
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		<link>http://www.vvork.com/?p=18815</link>
		<comments>http://www.vvork.com/?p=18815#comments</comments>
		<pubDate>Fri, 26 Feb 2010 00:50:45 +0000</pubDate>
		<dc:creator>mail</dc:creator>
				<category><![CDATA[london]]></category>
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		<guid isPermaLink="false">http://www.vvork.com/?p=18815</guid>
		<description><![CDATA[»Return of 2pac!«, 2009 by Sebastian Lloyd Rees.]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.vvork.com/wp-content/uploads/2010/02/main_title07.jpg" alt="" title="" width="424" height="600" class="alignnone size-full wp-image-18814" /></p>
<p>»Return of 2pac!«, 2009 by <a href="http://www.sebastianlloydrees.com/page1.html" target="_blank">Sebastian Lloyd Rees</a>.</p>
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		<link>http://www.vvork.com/?p=6493</link>
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		<pubDate>Mon, 31 Mar 2008 08:37:06 +0000</pubDate>
		<dc:creator>mail</dc:creator>
				<category><![CDATA[Prague]]></category>
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		<guid isPermaLink="false">http://www.vvork.com/?p=6493</guid>
		<description><![CDATA[For her project »Postcards«, 2007, Katerina Drzkova systematically collected postcards from the 1960s to the 1980s. They are never identical. The pair »Tropical Beach« differs in several details and a time shift of a few minutes is apparent. Different photographers are named at the back, a different place and time of posting, the addressee is [...]]]></description>
			<content:encoded><![CDATA[<p><img id="image6494" src="http://www.vvork.com/wp-content/uploads/2008/03/Picture 43.png" alt="Picture 43.png" /></p>
<p>For her project »<a href="http://www.photo.sittcomm.sk/kate_postcards.htm" target="_blank">Postcards</a>«, 2007, <a href="http://www.muteme.cz/kate/" target="_blank">Katerina Drzkova</a> systematically collected postcards from the 1960s to the 1980s. They are never identical. The pair »Tropical Beach« differs in several details and a time shift of a few minutes is apparent. Different photographers are named at the back, a different place and time of posting, the addressee is the same.</p>
<p><img id="image6497" src="http://www.vvork.com/wp-content/uploads/2008/03/refugees.jpg" alt="refugees.jpg" /></p>
<p>»Refugees«, 2007. Documentary photographs of refugees digitally manipulated and colored. The refugees appear in new spaces constructed according to their wishes. By <a href="http://www.muteme.cz/kate/" target="_blank">Katerina Drzkova</a>.</p>
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		<slash:comments>15</slash:comments>
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		<link>http://www.vvork.com/?p=6348</link>
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		<pubDate>Thu, 13 Mar 2008 10:04:15 +0000</pubDate>
		<dc:creator>mail</dc:creator>
				<category><![CDATA[Uncategorized]]></category>
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		<description><![CDATA[»Untitled« (Perfect Lovers), 1991. These two identical, adjacent, battery-operated clocks were initially set to the same time, but, with time, they will inevitably fall out of sync. By Felix Gonzalez-Torres.]]></description>
			<content:encoded><![CDATA[<p><img id="image6347" src="http://www.vvork.com/wp-content/uploads/2008/03/82383003.jpg" alt="82383003.jpg" /></p>
<p>»Untitled« (Perfect Lovers), 1991. These two identical, adjacent, battery-operated clocks were initially set to the same time, but, with time, they will inevitably fall out of sync. By <a target="_blank" href="http://www.moma.org/collection/browse_results.php?criteria=O%3AYM%3AG%3A1990%7CG%3AHO%3AE%3A1&#038;page_number=6&#038;template_id=1&#038;sort_order=1">Felix Gonzalez-Torres</a>.</p>
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		<slash:comments>25</slash:comments>
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		<link>http://www.vvork.com/?p=6346</link>
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		<pubDate>Thu, 13 Mar 2008 09:26:04 +0000</pubDate>
		<dc:creator>mail</dc:creator>
				<category><![CDATA[Dusseldorf]]></category>
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		<guid isPermaLink="false">http://www.vvork.com/?p=6346</guid>
		<description><![CDATA[&#8220;Two Clocks&#8221; (1992) by Dieter Kiessling.]]></description>
			<content:encoded><![CDATA[<p><img id="image6345" src="http://www.vvork.com/wp-content/uploads/2008/03/uhr.jpg" alt="uhr.jpg" /></p>
<p>&#8220;Two Clocks&#8221; (1992) by <a target="_blank" href="http://www.dieter-kiessling.de">Dieter Kiessling</a>.</p>
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		<link>http://www.vvork.com/?p=6344</link>
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		<pubDate>Thu, 13 Mar 2008 09:19:27 +0000</pubDate>
		<dc:creator>mail</dc:creator>
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		<guid isPermaLink="false">http://www.vvork.com/?p=6344</guid>
		<description><![CDATA[&#8220;Hourglass Mirror&#8221; by Daniel Rozin. The image of the viewer is created by the movement of the grains of sand in the upper part of the hourglass, in the lower part of the hourglass a representative color of the viewer is settled to create a sediment that keeps building up creating a history of a [...]]]></description>
			<content:encoded><![CDATA[<p><img id="image6343" src="http://www.vvork.com/wp-content/uploads/2008/03/hourglass.jpg" alt="hourglass.jpg" /></p>
<p>&#8220;Hourglass Mirror&#8221; by <a target="_blank" href="http://smoothware.com/danny/">Daniel Rozin</a>. The image of the viewer is created by the movement of the grains of sand in the upper part of the hourglass, in the lower part of the hourglass a representative color of the viewer is settled to create a sediment that keeps building up creating a history of a few minutes worth of viewers. <a target="_blank" href="http://smoothware.com/danny/hourglassmov.html">Video</a>.</p>
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