Barometz (Suelly Cadillac), 2006 by João Pedro Vale. Styrofoam, iron, fabrics, jeans, shawl fringes, hot melt glue and snails.
»untitled plottings«, 2006 (various source material plotted using self made printer,
each print 70 x 100cm, white marker, paint marker, eraser on card) by James Beckett.
“Platoon / Manual for Draft-Age Immigrants to Canada”, 2007 by Gareth Long. Video. An intervention into the English subtitles of Oliver Stone’s Platoon. The regular subtitles have been replaced with text from Mark Satin’s 1968 underground besteller Manual for Draft-Age Immigrants to Canada. The manual – a how-to for draft dodgers – sold over 65,000 copies by mail from Toronto and inspired many copies and knock-offs.
“Everything You Rearranged/Everything You Left The Same (The Branch)”, 2008 and “Everything You Rearranged/Everything You Left The Same (The Car)”, 2008 by Alexandra Navratil.
In »The Shapes Project«, 2006, Allan McCollum designed a new system to produce unique two-dimensional “shapes.” This system allows him to make enough unique shapes for every person on the planet to have one of their own. It also allows him to keep track of the shapes, to insure that no two will ever be alike.
“Setting #14“ (16mm-projector, Super8-projector, 3 slide-projectors), 2008 by Christoph Meier.
“Mother and Child”, 1998 by Heather Ackroyd and Dan Harvey. The artists use genetically manipulated grass as a photographic medium to display the portrait.
»Photoshop CS: 110 by 72 inches, 300 DPI, RGB, square pixels, default gradient “Spectrum”, mousedown y=1098 x=1749.9, mouse up y=0 4160 x=0«, 2008 by Cory Arcangel.
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