VVORK

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»The evolution of street trade« from the »Wild City / Genetics of Uncontrolled Urban Processes« a research into non-planned and barely regulated processes of urban transformations. By examining the city of Belgrade, over the past decade in the wake of the Balkan conflicts, a new physical layer of the contemporary city has been discovered and explored. Its wild topology has developed in opposition to a centralised, directed process of growth. A collaborative project by Ana Dzokic, Milica Topalovic, Marc Neelen and Ivan Kucina.




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Geographical Analogies # 3 (Yosemite National Park, Bronx, Central Park) and video “Desniansky Raion” by Cyprien Gaillard. Video.




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»MgBETH«, 2007 (pneumatic sculpture, 450m2 of fabric, 16x16x3m) by Kerim Seiler.




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“Black 0–100% (exterior)” by Pieter Vermeersch.




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Michael Genovese




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»Aura Research«, 1994 – 1997. In their photographes of preserved abandoned places and the visualization of the invisible, Nina Fischer & Maroan el Sani, refer to the so-called phantom-leaf-effect in high-frequence photography, discovered by the russian researchers couple Kirlian in the 30′s of the last century.




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Excerpt from “My Temporary Visiting Position From The Sunset Terrace Bar” by Carlo Zanni.




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»For Sale ll« (2007) by Chus Garcia-Fraile.




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3D prints of Second Life buildings by Andreas Angelidakis.




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“Urban Echo” by Christopher Baker, Laura Baker and J. Anthony Allen.




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»The Christchurch Menetekel«, 2006, interactiva laser projection.

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»Interfacing Landscapes #2«, Wednesday, May 23rd, 2007, animated laserprojection on moutains. By Johannes Gees.




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»in between places«,

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»Tropismos« (a visual genealogy of bossanova and architecture) by Sergio Vega.




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»Precarious home«, 2007 by Giancarlo Norese.




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»house-birmingham« was constructed between the 10th and the 21st of May 2004 in the middle of Centenary Square in Birmingham. Over a period of twelve-days a group of builders aided by student apprentices from the CITB / National Construction College and South Birmingham College simultaneously constructed and deconstructed a series of house shells reminiscent of two interlocking terraces. Five metres high, they were juxtaposed via a rotational symmetry and built from lightweight cellular concrete blocks, involving a new fast-bonding dry-assembly construction technique. By completion of the project, two separate terrace structures had been built in the same place at the same time. By Wolfgang Weileder.




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“Lighttypewriter” – the 264 light bulbs on the building could be controlled by 264 light switches on the street. By Constantin Luser.




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“Photoshop Performance” by Oskar Dawicki,

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“LEGO Concentration Camp Series” by Zbigniew Libera,

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“Map Trap” by Wilhelm Sasnal and

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“Faith in Means of Transport” by Zbigniew Rogalski. All: Raster.




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“F1″ and “Zug um Zug” by Christian Eisenberger.




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Hitler House and Unsere Mutti… by Shaun Doyle & Mally Mallinson.




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Treetent (Steel, canvas, and plywood) by Dré Wapenaar.




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“Shadow Objects” and

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“Mirror Objects” by Markus Wilfling.




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