»Rock«, 2011 and »Tree«, 2001 by Ai Wiewei.
春望
国破山河在
城春草木深
感时花溅泪
恨别鸟惊心
烽火连三月
家书抵万金
白头搔更短
浑欲不胜簪
Nation shattered,
mountains and rivers stay;
The city is in spring, deep
in trees and weeds.
Lamenting the times,
flowers shed tears;
Regretting the parting,
birds cry in bleak heart.
Three months long
warming-fires burn on
towers;
A letter from home is worth
ten thousand gold.
The white hair thins from
fingering;
There’s hardly enough to hold a hairpin.
»Spring View«, 757 (High Tang Period) China, by Tu Fu. Found on Nobelprize.no, an internet site-specific project conceived and curated by Alejandra Salinas and Aeron Bergman.
»Modern Times«, 2008 by Patrick Tsai.
“Marble and Blood”, 2007 by Chen Wei.
“Ton of Tea”, 2005 by Ai Weiwei.
“Five Days Towards a New Modernism (Beijing)”, 2007 by Stephanie Syjuco.
»Flolowing the example of Fengyang, and striving to remove the label of poverty«, 2004 by Jin Shan.
»Oil Painting Self Portraits Made In China«, 2007 by Bjørn-Kowalski Hansen.
»Painting China Now«, 2007, a collection of thirty oil paintings, depicting instances of violence inflicted by the Chinese government upon their own citizens, commissioned to a professional Chinese craftsman via the internet. By Ondrej Brody & Kristofer Paetau.
»Double Happiness«, 2006 by Brian Reed.
»The hairiness is black«, 2000,
»18 Days«, 2006, (production still from video). Remote control weapons navigated over boundary lines between China and neighbouring countries by Xu Zhen.
»China Town Graz« (2003) and
»how to do that?« (2001) by Jun Yang.
