
»The inverted campfire series«, 2006, by Olafur Eliasson.

»Google Image Search«, 2003 -, is an ongoing project by Wolfgang Plöger where monothematical compendiums of books are made using the Google image search engine.

»Video as Suburban Condition«, 2007; two channel video installation. Video excerpt.

»This is where we’ll do it«, 2007; is a series of inkjet prints of locations from YouTube videos, after having taken out the people who were in the video. Some of the locations come from the videos in Video as Suburban Condition, 2007. By Martijn Hendriks.

»M-path« is based on 300 pairs of second-hand shoes collected from the suburbs of a city, and then loaned to visitors to wear for viewing an exhibition. By Adam Chodzko.

“Darkness falls on Beroldingerstrasse 7, 79224 Umkirch” by Jason Dodge. All of the light bulbs, candles, matches and anything that makes light is taken from a house in a forest in Germany.

»free fotolab« (2004-ongoing) evolves from a public campaign, offering the development of 35mm films free of charge in exchange for exclusive universal image rights.

Still from »gercegin geri donusu /the return of the real« (2005). By Phil Collins.

»www.justanotherpainting.com« (2007) documents the outsourced production of a painting based on a collection of found jpgs.

»Airstrip One« (2007) shows official FAA airport diagram documents of 23 domestic airports that Hasan Elahi has slept in transit.









»Tracking Transience: Altitude« shows a collection of over 450 airline meals that Hasan Elahi has eaten between December 2002 and January 2007.

»Attributing Value (Refractions)« by Damon Zucconi.

»Neon from Museum Boijmans Van Beuningen installed at Galerie West« by Arin Rungjang.

»two hundred fifty googled images« by Katerina Matsoukis is a printed email showing two hundred fifty image search results for the words two, hundred, fifty, googled and images.

»Canon Remix« by Haroon Mirza.

»Logo Hallucination« by Christophe Bruno.

»four weddings and a funeral« by John Michael Boling.

»Dialectics of Subjection #4« by Anetta Mona Chisa and Lucia Tkacova.

»POST-POST-PRODUCTION« by Julien Prèvieux.

»BUBBLECARS« by Collectif-Fact.

»Canon« by Bad Beuys Entertainment.
Documentation of »Bad Beuys Entertainment, Boling, Bruno, Chisa & Tkacova, collectif_fact, Matsoukis, Mirza, Prévieux, Rungjang, Zucconi« curated by VVORK for Galerie West, Den Haag, 6.10.-3.11. 2007.












»Bookstack« is a pile of found books whose titles play with the common phrase “A Needle in a Haystack”. The stack grows when a new title is found and takes its place on the top of the pile. By Yann Sérandour.

»What’s on the other side?«, 1998-2000. The aim of this project is to get a “sample of the opposite point” of a particular location, here showing the territory where land matches to land.

»Children’s Museum«, 1997. After the excursion in the Isabella Stewart Gardner Museum, Vadim Fishkin asked the students, who ranged from 7 to 12 years old, to create their own “museums” in their own homes using things significant to them. He suggested that they arrange the objects on top of their beds and photograph the resulting installations with disposable cameras. The images, which were exhibited, are the photographs chosen by each student that best represent the message he or she wished to convey to the world



picturepeople #01 : THE SHADOW OF A PHOTOGRAPHER



picturepeople #11 : ANIMAL KISS



picturepeople #48 (4 Years!) : JESUS ON THE CROSS
PICTUREPEOPLE is an independent artistic (monthly) e-mail project by Rüdiger Heinze (writer) and Kristofer Paetau (visual artist) without any commercial purpose. It concentrates on the human representation in found amateur photography. The photographs become part of fictions – due to their re-contextualisation – and reveal different phenomena in human representation, interrogating mainly cultural and social issues, thus making connections to other fields of representation.

»FISKUR (fish)«, 2004. 15 Polaroids placed in a row close to the floor. Each time someone took a look at the photos at the opening, another picture was shot and hung up beside the others. By Darri Lorenzen.

“Cutting Books in Tokyo, vol.3” and “Through the Edges”, cuts on an art history book by Noriko Ambe.