VVORK

“Not Yet Titled”, 2008 by Gelitin.




»Club Internet: Contact (1997)«, July 25, 2008 – August 19, 2008, curated by Damon Zucconi. Works by: Christopher Byler, Garrett Davis & Kieran Gillen, Aleksandra Domanovic, Harm van den Dorpel, Marcel Duchamp, Nathan Hauenstein, Martijn Hendriks, Jeremy Hughes & Ken Seeno, KUO I-Chen, Hugh Pocock, Jordan Rhoat, Ken Seeno, Alexandr Skarlinski and James Whipple.




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»Tower«, 2008, by Aids 3D.




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“Skiringsheimen” by Arild Tveito in collaboration with Anders Nordby and Eirik Sæther.




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»Vital Psigns« is a social experiment that seeks to address individual mind power and the potential for human/plant communication. By the Center for Tactical Magic.




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»RENT STRIKE«, 2007

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»Raft of the Medusa«, 2007 by the bruce high quality foundation.




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»edible urban party jungle«, 2008 by Namaiki using permaculture principles to create gardens focusing on edible perennials and trees (both useful and support species) in a compact food forest garden type system at the Jogja National Museum in Indonesia.




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Foriginal Media Hack No 1” and “Foriginal Media Hack No 2” by Ubermorgen.com.




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»The Extras«, 2005-2006, video 13 min. The stars of the video are extras, background performers used in the crowd scenes of films and television series. In the video, an invisible director is telling the Extras to take various positions and formations. The Extras’ reflective clothing and signs they are holding symbolise their work as a background surface, a collective mass whose only purpose is to spotlight the main events and stars. In the background of the video, a voiceover is reading the Extras collective feelings about absurd shooting situations. By Szuper Gallery.

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»The Extras«, Sunday, October 16, 2005. Performance with 20 Extras, 3 speakers, 2 directors, 3 cameras, 1 photographer, Mylar placards and banners, held at the square strium of Vancouver public library. By Szuper Gallery. Video.




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»Washing Mashine«, 2007 (made from water dispenser) by N55.




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“Image and power” and

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“Omg” by Spectacualr Society Corporation.




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“Changing Vase” by Front. Video.




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“Reconstruction of the oldest piece on earth” and photography of the oldest piece on earth (Text on photo: Oldest piece on earth/approx. 80 million years/No Photos/National Maritime Museum Greenwich. GB). By Mahony.




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“Fish, Plant, Rack”, a quasi symbiotic environment for machine, fish and hydroponics by Hostprods.




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On January 28th, 2008, Janez Janša, Janez Janša, and Janez Janša performed »Signature Event Context« at the Holocaust Memorial in Berlin, a walking action in the corridors of the Memorial. Each one of them, equipped with a GPS device, covered a different path within the Memorial’s structure this way, together assembling a common signature visible only in the internet. During the performance artists continuously repeated “Jaz sem Janez Janša, Jaz sem Janez Janša, Jaz sem Janez Janša…” (“My name is Janez Janša”). »Signature Event Context« at the Holocaust Memorial puts together 3 concepts (signature, event and context) from Derrida’s essay in complex relation; signature itself is an event which re-contextualizes the site of signature. The performance scheduled for the opening of TRANSMEDIALE.08 the 29th of January 2008 at 8.30 pm at the foyer of the Haus der Kulturen der Welt in Berlin, Germany, was conjunctively cancelled by the director of transmediale Stephen Kovats and the Guest-Curator Nataša Petrešin-Bachelez. Consequently, Janez Janša, Janez Janša and Janez Janša rescheduled the date of the action performing on January 28, 2008 at 00.01 am. Watch the performance.




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Kinetic sculpture “Cloud” by Troika . Video.




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»Limb Type Japan«, 2007, by Åbäke.




YouTubeHARMONY 9of12 “Scream” and YouTubeHARMONY 5of12 “Underground” (2007) by Delaware.




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OGLE: The OpenGLExtractor” by Eyebeam R&D. Example: 3D-printing Google Earth Buildings. “OGLE” is an open source software package by the Eyebeam OpenLab that allows for the capture and re-use of 3D geometry data from 3D graphics applications.




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»Space Glider« by FallerMiethStuessiWeck.




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