VVORK

25_Steven Parrino_Void Vortex, 1996

»Void Vortex«, 1996 by Steven Parrino.




28_John Tremblay_Volvelle,2008

»Volvelle«, 2008 by John Tremblay.




»Untitled«, 2009 by David Rhodes.




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»Sieve«, 2009 by Amanda Ross-Ho.




»the insistence of distance«, 2010 by Richard T. Walker.




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»Untitled«, 2005 by Tatiana Trouvé.




»My Baby«, 2007 by Ron Tran.




“Systematic Landscapes”, 2009 by Maya Lin.




»Collage«, 2008,

»Collage«, 2008 by Liam Crockard




»Frames«, 2000-2008 by Latifa Echakhch.




»Untitled +180 or -180 hue«, 2007 by Kelley Walker.




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“Untitled”, 2007 by Gardar Eide Einarsson.




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»Eminent Domain«, 2008, installation consisting of a composition of weathered poster stacks covered with reflective foil, discarded plywood, flourescent lighting and various size holes drilled into the posters. By Nathan Peter.




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»Something Less Something More (Detail view)«, 2004 by Pierre Bismuth.




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“Pieces de Monet”, 2007 by Sammy Engramer.




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“Sans titre, still dancing on John Wayne’s head” by Bruno Peinado.




“In the 1960s and 70s capitalism was subject to criticism by conceptual artists like Hans Haacke, Claes Oldenburg, etc. Ironically, critical works from this period are now found in corporate art collections…”

From »On The Prowl« by Miriam Steinhauser.

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»HQ/Cut-Out Munich IV«, 2006, »HQ/Cut-Out London IV«, 2006 and

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»Model Headquarter Vavey«, 2006 by Miriam Steinhauser.




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“Untitled (Arbeiderpartiet)” and “Cut It Out” by Lina Viste Grønli.




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»The Classic Style Triple Grilled Islington 3000« is a garbage unit with a cut-out cardboard screen, the pattern straight out of the DIY book on “how to obscure that unsightly radiator”. By Howard Dyke.