VVORK

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How one could walk with a lemon. “Complication of the Everyday” by David Adamo and Michael Portnoy.  Video.




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»The Celebrity Series«. PDA drawings from Kelly Mark, Thomas Demand, Germaine Koh… Going to art openings and benefit events, Mike Patten meets with well-known artists in the visual arts scene. Once introduced, Patten takes out a small pocket computer, a Palm-type PDA, makes a quick demonstration, then, with explanations out of the way, asks the artist to improvise a small drawing on the device.




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»Forced to Speak with Others« by David Shrigley. LP limited edition of 500 vinyl copies. 14 tracks of spoken word stories and mutterings on subjects as diverse as Satan’s apocalyptic rock concert, giant hairy children, ludicrously clumsy fathers and an insect that desires to lay eggs inside someone’s brain.




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Images of “Neighbourhood 1, 5 and 11″ by Luigi Archetti




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“Sex Icon”, “Stallion” and “The Majestic Lodge” by Neil Rumming.




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»HUO Drawings«. In spring of 2003 Charles Gute had the privilege of proofreading Hans Ulrich Obrist’s Interviews: Volume 1. With an awareness of the author’s art world stature, paired with a name that seems to have a greater-than-average vulnerability to typographic inconsistency, these drawings were created as a kind of cathartic antidote.

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»Dutch Tape Funeral March (Marcia Funebre from Symphony No. 3, “Eroica”)«. The work consists of 13 rolls of duct tape initially placed at the top of the 16-foot-high gallery wall. On the day of the opening the rolls of tape were released so that they could “roll” down the wall under their own weight, a process that took over 8 hours to complete. As the tape reached mid-wall, viewers were able to see that there was a continuous strip of sheet music attached to the adhesive side of each roll. This sheet music was an actual transcription of the second movement of Beethoven’s Third Symphony, also known as the “Funeral March,” the linear length of which had been scaled to fit the 16-foot span from ceiling to floor. One of each of the 13 orchestral parts from the original score had been applied to each of the 13 rolls of tape, effecting a kind of super-slow automated performance of Beethoven’s somber work.

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»Ant Climb Study #2« (video still) is a perceptual study of duration and movement. Here a live ant climbs the adhesive side of a length of masking tape. Appearing as an abstract mark, the ant’s progress is steady yet nearly imperceptable, akin to the movement of a minute hand on a clock. All projects by Charles Gute.




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“Cannibal”, “The House” and

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“Proposal for the Facades of the Trade Union Square” by Jannis Varelas.




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»Attributing Value (Refractions)« is an ongoing video series documenting various artist’s works. The works are environmentalized and refracted through the structural data of artist Damon Zucconi himself. Sofar completed are Bruce Nauman: 100 Live, 100 Die; Carsten Nicolai: Syn_Chron; Pierre Huyghe: L’Expedition scintillante; Richard Serra: Torqued Ellipse VI; 0100101110101101.org: jodi.org “%20Transfer”.

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»Zenith Alignments«. Using star tracking software, minor zenith alignments with celestial bodies were found to occur at multiple intervals throughout the course of the day over various locations. These precise locations were located via GPS. 3-point areas were located at sites of the zenith alignments. These areas were highlighted and clearings were made to coincide with the alignments. So at the moment of the alignment Damon Zucconi would be exposing the ground and aligning himself with the line that extends to the star. These specific alignments were unique to these specific locations, occurring once an annual cycle. This could largely be seen as the process of integrating himself with 90 degree angles, in turn, demarcating larger phenomenological alignments and relations: “the body mapped onto the land onto the heavens above.”

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»’At’ Asserting its Object Status«. Found sculpture.

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»2d Orthogonal Line Drawing«. Drawing with laser and mirrors. All projects by Damon Zucconi.




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»Kontakt«, »Himmel (Untergang)«, and »Der dritte Tag« from 2005 by Markus Selg.




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»Adrian Mountainback« by Jonas Liverod.




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Vincent Olinet.




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»Tracing Future«,

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»Portable Wailing Wall« and

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»Gnomercy« by Ram Katzir.




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Table Drawings by Gijs Gieskes.




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Drawings by Jaret Penner.




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Autoportrait by Vladimir Mitrev.

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Stils from the Autoportrait DVD.




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Real Estate-100 Aerial Drawings is specially produced as a web-based project by Heman Chong transforming an existing architecture to pictogram using a benefit of presentation on a flat computer monitor. Chang collected satellite pictures of Singapore, which is the city he grew up in, and traced out 100 of existing building shapes from a bird’s-eye view. Each drawing puts together with its actual address in the city simply colored with a red on a white background, which represent a color of the Singaporean national flag.

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Real Estate (StratosphereRemix) takes the architectural ambitions of SMU as a conceptual background to a historical survey of other Singapore landmarks. By Heman Chong.




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Inflatable Stage I Trans AM.

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Trans AM drawing tool in action. Burnout drawing on paper.

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While doing a burnout Guy Overfelt was arrested by SFPD. Guy hired Tony Serra to represent him in the criminal jury trial, and two court room sketch artists. Serra and his team got the case dropped the day of the jury trail.

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On March 29th, 1998, 7:30 pm, Guy Overfelt had Tony Labat shoot him with an Air Taser. One probe hit Overfelt’s chest and the other his nose, piercing through his nostril and causing him to fall to the ground.




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Works by Ian Stevenson.




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“Deer Drawings” and “Deer Heads” by Elaine Bradford.




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»Working Hard at Keeping Things Inefficient« by Andrew Kleindolph.




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