
»Attempts to apply Pareto principle«, 2007 and

»Here and Elsewhere«, 2008. Stripper pole coated with a description of a striptease scene encoded in Braille alphabet. By Anetta Mona Chisa & Lucia Tkacova.

»Attempts to apply Pareto principle«, 2007 and

»Here and Elsewhere«, 2008. Stripper pole coated with a description of a striptease scene encoded in Braille alphabet. By Anetta Mona Chisa & Lucia Tkacova.

From “Rhetoric Works & Vanity Works & Other Works” by Joanne Tatham and Tom O’Sullivan.

»Out Of Order #5«, 2005, 58 library books on shelf.

»Out Of Order #1«, 2005, installation view: 53 library books with sun bleached back covers. By Marianne Viero and Laurenz Brunner.

»One on One« (2007)

»All the Lovesongs« (2007). Two facing speakers are joined in a soundproof box, playing a short loop of a song about relationships. By Nina Jan Beier & Marie Jan Lund.

»Pianorama«, 2005. An old fashioned upright piano sits in the middle of the space. There are two small loudspeakers on top of it. A mechanical device (which plays the piano), sits on top of the keys. Out of one loudspeaker comes Janet’s voice and out of the other comes George’s. These voices are discussing what type of music might be appropriate for what seems to be a film they are planning. By Janet Cardiff and George Bures Miller.

»A man with a rifle« (2000) by Jeff Wall,

»Las Meninas« (1656) by Diego Velázquez from the series »Configuration and content analysis« (2007) by Georg Schnitzer and Peter Umgeher.

»Visions Of The World (Catania)«, 2007, and »Brickbats (Taccuini Di Guerra Incivile) PRESENT«, 2007, by Claire Fontaine.

Double Exposure (2007)


Monochrome Volumes (2007) consists of 4 identical cubic wooden boxes fixed side by side to a wall. Each box has a surface measure of 70 x 70 x 70 cm. The bottom, top, and the sides of the surfaces of boxes are painted with a nonreflecting white grounder. The front of each box is sealed with a 3 mm transluscent acrylic sheets. The inside walls of the boxes are covered with white boards on the top, bottom, sides and on the back. The inner volumes of the boxes are individually set apart because the back board inside each box is fixed in different distances to the front acrylic fronts creating four differentiated inner volumes. A special phenomena occurs by the use of the translucent acrylic fronts on the boxes with variable inner spaces. The acrylic refracts the light (natural sun light, artificial or a combination) that naturally shines through it, throws it into the inner space of the box as a diffuse light. Not being able to see the inner space of the box, the viewer perceives a reflection of its volume in the acrylic in the form of a two dimensional, vibrant, monochrome spatial surface. By AVPD (AVPD © Copyright 2007 / Photography by Anders Sune Berg © Copyright 2007).

»Aura Research«, 1994 – 1997. In their photographes of preserved abandoned places and the visualization of the invisible, Nina Fischer & Maroan el Sani, refer to the so-called phantom-leaf-effect in high-frequence photography, discovered by the russian researchers couple Kirlian in the 30′s of the last century.

“Photofit: Self-Portraits” – a project by Giles Revell and Matt Willey. See also “Phantom 00” by Sonja Feldmeier and “Autoportraits-Robots” by Berra Leandro.

»Vue des Alpes« is a project of a fictious hotel on the internet. The site where the hotel is being built has been developed and constructed on a PC pentium III with various 3D programmes since March 2000. By Monica Studer and Christoph Van den Berg.