
»Berlin à fleur de peau«, 2010 (Installation of dust prints) by Nadia Kaabi-Linke.

“The Mystery of Artistic Work II”, 2010 by Josephine Pryde.

»CONSTELLATION (NETMARES)«, 2009, recording of a day’s worth of clicks on a screen, by Kari Altmann.

»Night Sky #10«, 1994-1995 by Vija Celmins.

“Tour de Corps”, 2010 by Michaela Meise. Wood, Plexiglas.

“A lad of fire (menswear bench, or a bold stripe suit calls for plain shirts and un-patterned ties)”, 2011 by Helen Marten.

»Rhino Beetle«, 2005 by Sarah Morris.
![JM_TK-[shoes]_2010_Shoes_3-](wp-content/uploads/2011/05/JM_TK-shoes_2010_Shoes_3-.jpg)
“Untitled (NTT New York)”, 2010 by Josephine Meckseper.

»Shanghai Pigment Street«, 2001 by Barbara Bloom.

»Index I«, 2010 by Sunah Choi.

»Lake Huron from the Southwest«, 2010 by Becky Beasley.
»Beige«, 2010 by Hanne Lippard.

»One Art«, 2005 by Anya Gallaccio.

»Clear Coordinates for Our Confusion«, 2008 by Julieta Aranda.

»Light frame«, 2010 by Karina Peisajovich.

Still from »Cheese«, 2007 by Mika Rottenberg.

“Depth Mapping (The Mountain)”, 2011 by Kate Steciw.

“The Judges”, 2010 by Christina Mackie.

»A Room of One’s Own/A Thousand Libraries«, 2006, is a compilation of all the marginal notes made by readers in the Swedish library copies of Virginia Woolf ’s 1929 pamphlet A Room of One’s Own. By Kajsa Dahlberg.