»Birds«, 2008. Video by Elodie Pong, where globalisation and the state of the world economy are debated by stuffed birds.
“Erased Pictures from Flash Art Nr.259“, 2008 by Maria Anwander. The information from the erased pictures from an art magazine (Flash Art Nr. 259) is saved in the crumbs of the eraser. Each picture is packed in a plastic bag numbered with the page belonging to it. The viewer just can imagine by reading the text what the pictures were shown before.
“The Speaking Exercise # 1”, 2009 by Kate Owens. Framed digital print, picture hook, cord.
“Love is Most Nearly Itself When The Here and Now Cease to Matter”, 2010 by Lorna Macintyre.
“Vows (Goldman, Emma. “Marriage and Love.” New York: Mother Earth Publishing Association, 1910.)”, 2006 by Andrea Bowers. Vows is a two channel video installation using Emma Goldman’s essay “Marriage and Love”, a text which analyzes how the social institution of marriage is an oppressive institution of capitalism and oppositional to love. A single bride reading sections of the Goldman text is projected on each screen. In the installation the two women face each other and appear to be listening and responding, as though reciting marriage vows.
“The Forty Part Motet“, 2001 by Janet Cardiff.
40 loud speakers mounted on stands, placed in an oval, amplifiers, playback computer.
“Avenging the Ghosts and My Younger Self (situated between Minimalist Art and Arcade Games)”, 2002 by Andrea Bowers.
»Cleaning the Drapes« from the series »Bringing the War Home: House Beautiful«, 1967-72 by Martha Rosler.
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