VVORK

Video documentation of Vanessa Beecroft’s performance »VB55«, 2005, at the Neue Nationalgalerie, Berlin. Part 1, part 2.

»Body Painting with Koe in Stockholm«, 2007, by Aida Makoto.

»Photographing Girl on a Motorcycle«, 1999/2007 by Jo Mitchell.

“Mass Transaction” by Arijana Kajfes.

Ruth Ewan’s »Did you kiss the foot that kicked you?« (2006) is an intervention inspired by the song »Ballad of Accounting« by the late English singer, songwriter and socialist Ewan MacColl. For one week, Ballad of Accounting was slipped into the musical repertoires of over 100 buskers and performed across the City of London as commuters journeyed to work.

»CUNNILINGUS IN N0RTH K0REA« by YOUNG-HAE CHANG HEAVY INDUSTRIES.

“In the 1960s and 70s capitalism was subject to criticism by conceptual artists like Hans Haacke, Claes Oldenburg, etc. Ironically, critical works from this period are now found in corporate art collections…”

From »On The Prowl« by Miriam Steinhauser.

»HQ/Cut-Out Munich IV«, 2006, »HQ/Cut-Out London IV«, 2006 and

»Model Headquarter Vavey«, 2006 by Miriam Steinhauser.

»Land Mark« (Foot prints) #2, Set II, 2001-2004,

Still from »Returning a Sound«, 2004 by Jennifer Allora & Guillermo Calzadilla.

»…into the centre of things«, 2003 by Beatrice Jugert.

Video still from “White House” by Lida Abdul.

»Thought Bubble (oh god(Nietzche’s mum(Joke)))«, 2004

»Bible«, 1997. Every word in the Bible arranged in alphabetical order and printed. By Rory Macbeth.

“For All the Lost Seaside Attractions” by Lucy Harrison. Flag showing photographs of Canvey Island Casino, Victoria Pier Folkestone, Spanish City Whitley Bay and West Pier Brighton.

“Reflecting on capture” by Anna Wignell. The medium is reduced to its constituents, to parameters like updating frequency, resolution, format. The incoming camera images obtained in the gallery itself are being processed in real-time. By being produced by three spotlights projecting red, green and blue light, equivalent to the colour system RGB, the images are being reduced to a single colour, constituting a single medium of the original complexity. The existing audio is being captured by microphones. The captured sounds most dominant frequency range is discerned and played back as sinusiodal tones. The real tone and amplitude is being reproduced synchronizing with the shift of the image.

“Rabbit” by Hannah Whitaker.

“Flags” from the series “Celebrating RGB color space” and

“Back drop #1” from the series “Body of light” by Katja Mater.

“All alone among the Stars” – Tree Exchange, primeval oak in The Netherlands and young oak from 13HA in Bialowieza Primeval Forest in Poland. By Marjolijn Dijkman.

»Something Is Missing«, 2006, white carerra marble, 29.21 x 19.05 x 12.7 cm. By Valérie Kolakis.

»Attempts to apply Pareto principle«, 2007 and

»Here and Elsewhere«, 2008. Stripper pole coated with a description of a striptease scene encoded in Braille alphabet. By Anetta Mona Chisa & Lucia Tkacova.

“Onanist, 2008“, 2008 by Aleksandra Domanovic.

For her project »Postcards«, 2007, Katerina Drzkova systematically collected postcards from the 1960s to the 1980s. They are never identical. The pair »Tropical Beach« differs in several details and a time shift of a few minutes is apparent. Different photographers are named at the back, a different place and time of posting, the addressee is the same.

»Refugees«, 2007. Documentary photographs of refugees digitally manipulated and colored. The refugees appear in new spaces constructed according to their wishes. By Katerina Drzkova.