VVORK

»The Laundry Room (Death of Marat)«, 2009 by Richard Jackson.

“Young Guns”, 2005 by Frances Goodman. Video. Projector, Amplifier, DVD Player, 4 Speakers.

»Intact«, 2008, original diagram of a museum display case, glass shelving and bought, found and borrowed artifacts by Lenka Clayton.

»Yes I Can!«, 2009 by Tobias Madison.

Installation, 1993 by Gerwald Rockenschaub.

“Kinhin”, 1979 by Mowry Baden.

“La Défense oder: ∞”, 2006 by Johanna Tinzl / Stefan Flunger. “La Défense oder: ∞” consists of two cameras that work as a self-referential system. Motion detectors analyse the lightness distinctions of the images that are taken by the cameras on the side opposite to each other. They react due to changes within a certain scope of the image and set that camera in motion that has observed those shifts in darkness or in lightness. Video.

“Haarp”, 2009 by Laurent Grasso. 18 antennas. Haarp (High Frequency Active Auroral Research Program) represents an antenna field of the military base of the same name in Gakona, Alaska.

“The Underworld”, 2004 by Mark Wallinger. Installation for 21 monitors. 21 individually looped dvds.

“Shattered”, 2001–2007 by Alexander Gutke.

»The Emerger«, 2005-2007 installation by Diana Cooper.

“Certain principles of light and solidarity between forms”, 2008 by Michael Jones McKean. Folding card trick table, 5000 year old del campo meteorite, a representation of the book.

“IKEA Vattern variations”, 2004 by Ryan Thayer. IKEA Vattern model.

»Photographs«, 2007 by Wang Du.

“Large Dark Wind Chime (Arab Tritone)”, 2008 by Klaus Weber.

“Untitled (uncoordinated facts)”, 2008 by Phillip Lai. Fabric, foam.

“Transparent Plexi Mandala”, 2006 by Karl Holmqvist.

“Every Word Unmade”, 2007 by Fiona Banner.

“Composition in Progress [c.i.p.]” since 2003 by Yuko Mohri and Soichiro Mihara.

»Exposition Abbatiale de Bellelay«, 2006 by Michel Huelin.