VVORK

“Paperweight 1, 2 and 3”, 2007 by Eric Wesley.

“Freier Fall”, 2006 by Albrecht Schäfer. DVD, 28sec. loop, no sound, projector with holder.

Installation view of “Untitled”, 2005 by Heimo Zobernig. Portable screens.

»THE CASE OF THE HOMESICK CATTLE«, 2008 by Nina Canell.

The sound installation «Nach innen nach aussen», 2008 by Jason Kahn turns around the customarily accepted notion of the exhibiton space as something sealed off from the outside world.

“Untitled”, 2006 by Wade Guyton. Inkjet on book pages, oak frames, acrylic.

Untitled (Lamps #5), 2005 by Idan Hayosh. Formation of high wattage lamps. The lamps’ electric current sound is looping through speakers.

“Volume of Emptiness” (Video) by John Houck.

“Live Subtitles”, 2005 by Gareth Long. Installation with video, camera, microphone, computer, speech recognition software, printer, paper- The installation used voice recognition software to cull the voices of the spectators, turning their speech into live captions superimposed on a live video feed.

“My most favorite art”, 2004-2008 by Maria Anwander. Title signs.

“A Huge Amount of Enough” 2008, by Barbad Golshiri.

“Oxygenator“, 2006-2007 by Joanna Rajkowska. Artificial pond with oxygen fountains.

“Untitled (DJ Requests)”, 2007 and

“Le Confort Moderne”, 2008 (exhibition view) by Brian DeGraw.

“Art Dispensing machine (ADM)”, 2004 by Osman Khan. Using Market-Of-One strategies, where companies wish to market and provide goods and services targeted at individual preferences, the ADM produces unique prints, based on the information kept on the magnetic stripe of a credit card.

Installation, 2004 by Josef Trattner. Foam.

“Ping genius loci” 2006 by Aether Architecture with Bengt Sjölén.

“Darkroom”, 2008 by Simone Gilges.

“min_mod [minimum_module]“, 2004 by Limiteazero.

“56 kleine Helicopter”, 2008 by Roman Signer.

“Screen”, 2006 by Nadim Vardag. Fluorescent tubes, wood, blackboard paint.