Various Constructions by Peter Liversidge.
“Now, with 10x more wire” (Video) by Douglas Irving Repetto in collaboration with Kyle Lapidus and Tali Hinkis.
“Processual Minimalism” – a colony of forest ants constructing a hill. By Klaus Mosettig.
»Two Keystoned Projectors (one upside down)« (2007) and
»Panasonic TH42PV60 Plasma Screen Burn« (2007) by Cory Arcangel at Galerie Guy Bärtschi.
Sustainable, a kinetic sculpture comprised of seven water gong agents that are networked via water and strive toward equilibrium according to a simple water access algorithm; by David Birchfield.
»Solo-para-adultos.com« and
»Under Heaven« (9m Tree with treehouse on 45 m high Stedelijk museum) by Leonard van Munster.
»Table Tennis Players«, 2005, at the ARTZONE in Kyoto by COUMA. A table-tennis table was placed in the center of the venue and the six members stayed at the venue for as long as possible, playing table tennis while completing the work. COUMA consist of six artists who continue to pursue individual careers. The members are: Takehiro Iikawa, Teppei Kaneuji, Yuki Kimura, Manpei Tsurubayashi, Ai Nakagawa and Hyougo Hofuku. They met through playing table tennis. Into their works they reduce the world that emerges when the heights of table tennis are reached.
“Untitled 1″ (broom sweeps floor every second) and “Untitled 3″ (graphite disc is thrown every hour at 17 minutes past the hour) by Piero Golia.
“808-20B 2004″ – the 10-piece installation draws red light onto walls through laserpointers integrated into sprinkler systems. Video.
“07/13-04″ – the floor was completely covered with adhesive tape – save for a narrow strip where a lightbeam (emitted from a scanner mounted on an opposite wall) moved up-and-down the aisle. Video. By Sabina Hörtner.
»A/S/L (Age/Sex/Location)«, 2003 (3-screen video & sound installation, with images, text and transcripts of a simulated chat room conversation) by Raqs Media Collective.
»Beneath the Sofa« (All objects in studio-space connected to another by nylon-string) by Antonia Low.
“Work No.387″ (plywood) and “Work No.370″ (balls of various kinds dimensions variable) by Martin Creed. See also “Avalancha” by Wilfredo Prieto.
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