VVORK

“Work No. 1051”, 2010 by Martin Creed. Marble.

“Crane”, 2010 by Hilary Lloyd. JVC LCD 42” monitor, Western Digital HD media player, Unicol twin column mount.

“Tender Ground, Solid Figures”, 2011 by Jacob Dahl Jürgensen.

»Salle de bains (Chantal Crousel)«, 2011 by Danh Vo.

Installation view of “As He Remembered It“, 2011 by Stephen Prina.

“Bananaspilt”, 2010 by Christoph Meier in collaboration with Søren Engsted.

Detail from “1.33:1, Hard Copy, Display Sequences, Multi Channel Projection”, 2010-2011 by David Jablonowski. 3 channel projection, stainless steel, plaster, offset printing plates, water.

“Monument II (Repromotion)”, 2010 by Jan De Cock.

“A lad of fire (menswear bench, or a bold stripe suit calls for plain shirts and un-patterned ties)”, 2011 by Helen Marten.

“Considering a multiplicity of appearances in light of a particular aspect of relevance. Or: Can art be concrete?”, 2007 Olaf Nicolai. Installation, 16 sheets, 400 books. Exhibition view.

“Boiler”, 2010 by Kori Newkirk. Stainless steel, vinyl tubing, resin.

“Liminal Landscapes”, 2011 by Johan Eldrot. Collage and Xerox copies.

“Assembly Instructions (Tangential Logic)”, 2008 by Alexandre Singh. Framed Xerox collages and pencil wall drawing.

»Light frame«, 2010 by Karina Peisajovich.

Installation “One of Each”, 1993 by Karsten Bott.

“The Judges”, 2010 by Christina Mackie.

“The World Cracked Open”, 2010 by Rosalind Nashashibi. Reproduction of David Hockney’s Rapunzel Rapunzel, Let Down Your Hair (1969), horse hood.

»Chrome«, 2011 by Riccardo Previdi.

»Corpse of Art«, 2003-2004 by Irwin.

»Ghosting«, 2009 by Mounir Fatmi.