Installation by Matthew Haigh. See also Jacob Dahlgren.
“Cans” and
Sign painters enamel on cow, deer, and sheep hide; modified welded pig sculpture by Denny Rollins; NYC subway tokens, coins, and bells; modified Vestax pdx 2000 record players; modified Rane tm 56 dj mixer; brass horn; amplifier; analog vinyl record; speakers; acrylic discs; vacuum motor; hide glue; gourds; rubber tubing and rubberized cloth; brass, copper, and steel; bellows and springs; wood and paint cans. “Granny” (Drum Painting Project, Version 5.0) by David Ellis.
The fashion label ____fabrics interseason positions itself and its work within an international network of electronic music, fine arts and design.
»Working Hard at Keeping Things Inefficient« by Andrew Kleindolph.
For the installation Enterraum, the artist-trio (Collectif-Fact) photographed details of the architecture. They then isolated the spatial elements and hung the individual pictorial planes one behind the other in the room.
Loading, Reliefs, Bubblecars and other video installations by Collectif-Fact.
“Vacuum Cleaners” by Werner Schrödl.
Photographic prints of video recordings.
Mixed media, video outfits by LoVid.
Coca-Cola Alcohol Distiller and Coca-Cola Alcohol Bottle by Fred Pradeau. A huge amount of coca cola is made to rotten. From this, alcohol is produced, using a machine made out of cooking and plumbing tools. See also Helmut Smits.
The Man of Speed’s helmet. By Juneau Projects.
The beauty royale, video installation with sculpted tv, woodchipper and dowel-mounted transducer microphones. A forest, computer system with small pine tree growing in casing.
Good morning captain, video installation with inkjet prints. A video of a scanner being dragged over a forest floor placed alongside printouts of the resulting scans.
Mic campfire. Six microphones were suspended above a large campfire in Grizedale Forest. The microphones were lowered into the fire in turn, the sound was relayed on a pa system. A rich future is still ours. A video installation where sheets of paper with attached transducer microphones are fed through a paper shredder.
Two pop songs, How deep is your Love by the Bee Gees and Love by John Lennon, are acoustically transmitted through 400 feet of tubing through the museum. The songs emanate from the basement’s defunct boiler unit into a tubing system which follow the existing water and electrical pipes, winding through the hallways and stairwells of the building. The songs eventually emit from a funnel which hangs in the gallery space two floors above, leaking sound at points along the route.
»Can You Hear Me?« is a functional alternative telephone. It uses PVC pipe and mirrors to make an aural and visual communication link from the second floor lobby of the Sunshine Hotel, to the street below. Passers-by on the street can call up through the tube and be heard in the Sunshine’s communal lobby area. Both projects by Julianne Swartz.
“Water Flame” by Jeppe Hein. Pump, gas, watertank.
Street Jewellery by Damien Regamey.
Tokyo Art Machine, selling works by European and American artists in Japan. UK Art Machine, selling works by Japanese Artists in the UK. By Yoke and Zoom.
Road rage by Yoke and Zoom.
»Gott erscheint am Kopfkissen« from 2005 by Tazro Niscino . Containers are constructed around the statue at the Stedelijk Museum voor Actuelle Kunst in Gent.
