Unterwegs, without title, without title (Yellow sculpture fitting to ladder) by Hans Hemmert.
White Noise, isolation tape.
Distributeur, container, tape, tape dispensers.
Curtain Wall, inkjet print on fabric. All work by Simone Decker.
Painting Manufacture Unit by Roxy Paine. A spray nozzle mounted on a large moving arm travels in front of a canvas, spraying acrylic paint as it makes its pass. After a programmed amount of inactivity, which allows the paint to dry, the arm gets to work again and makes another pass.
Auto Sculpture Maker creates an endless series of amorphous sculptural blobs.
Drawing Machine floods paint into a mixing chamber and dispenses it via a spray nozzle that travels a pre-programmed course over the paper. After making its pass and releasing its paint load, the machine rests, allowing the paint to dry-before another pass is made. All three machines by Roxy Paine.
The exhibition Das grosse Stilleben (The Big Still Life) by Klaus Littmann features a department store in Mugron in southern France that has survived largely intact some 30 years after it was closed. »Das grosse Stilleben« is authentic to the minutest detail. Only a few perishable goods were newly added; everything else originates from the department store in Mugron. Here, the installation heeds the words of Andy Warhol, who remarked in 1985: »Lock up a department store today, open the door after a hundred years and you will have a Museum of Modern Art.«
“Wallfilm” 1982 performance. Out of 48 bricks a wall is built in the darkness, during which time the wall functions as a projection-surface. Onto the wall is projected a film, showing the wall beeing dismantled with the same speed.
“Untitled” 1988; “Warsteiner” 1987; “Untitled” 1993 and other work by Dieter Kiessling.
»Wide Boy« by Craig Fisher.
»H.A.L.« and further work from Craig Fisher’s »Misdemeanours« show at Rokeby Gallery.
Dynamo Kyiv, Street Painting #1, Diving Platform,
Spielfeld #2, Comfort #3, Comfort #2 and other work by Sabina Lang and Daniel Baumann.
Yokomono consists of 10 small car-shaped record players, a corresponding set of FM radios and two mixing desks. The cars, known as “vinyl killers,” have been customised with wireless FM transmitters. As they spin around the vinyl, they transmit their signal to the FM radios tuned to a special Yokomono frequency. This transmission is then mixed, edited and manipulated in real-time by members of the Staalplaat Soundsystem.
Further sound installations by Staalplat Soundsystem.
Wood, tiles, chocolat, carpets, plastic, isolation and a lot more by Jacob Dahlgren.
Plastic coffiemugs and aluminium by Jacob Dahlgren.
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