“She couldn‘t rock and roll with me and I couldn‘t avant-garde with her.”, 2009 by Constanze Schweiger and Jasmin Trabichler. Fabric, wood, mixer, amplifier, record player.
“Six Square Meters of RAM.”, 2010 by James Irwin. Radar absorbent material, anodised aluminium, white acrylic, MDF. Placed at the entrance to the exhibition space, “Six square meters of RAM” isolates the gallery behind it from external wireless and social networks. Carbon foam pyramids of Radar Absorbant Material prevent electromagnetic and sound waves from entering the room, and the gallery remains a space for isolated contemplation.
“Zabiba, The King, The Dragon & Jonathan Earl Bowser Installation (Strike the Empire Back Series)”, 2010 by Michael Rakowitz. Pencil on vellum drawings, Saddam Hussein novels, wood shelves, giclee print.
“Contributions to homeland sound topography 01 – the right sides of the road”, 2009 by Volkmar Klien.
![FlorianHecker[1]](wp-content/uploads/2010/10/FlorianHecker1.jpg "FlorianHecker[1]")
Installation view of “The Grid System – A Regime”, 2010 by Jess Flood-Paddock and Spartacus Chetwynd.
“Pattern recognition”, 2010 by Marita Fraser. Fabric, textile on frames, aluminum, silk scarf.
“Series of successive instants”, 2009 by Sonia Leimer. Wooden construction, DVD, foley pits filled with concrete, brick, laminat (parquet oak), ballast, ceramics (marble), boulder, aluminium.
“The Other People Behind Our Other Products”, 2009 by Zak Kitnick. Die-cut aluminum sheet, MDF, and other media.
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