“Birds of Pray”, 2010 by Haroon Mirza.
“Vows (Goldman, Emma. “Marriage and Love.” New York: Mother Earth Publishing Association, 1910.)”, 2006 by Andrea Bowers. Vows is a two channel video installation using Emma Goldman’s essay “Marriage and Love”, a text which analyzes how the social institution of marriage is an oppressive institution of capitalism and oppositional to love. A single bride reading sections of the Goldman text is projected on each screen. In the installation the two women face each other and appear to be listening and responding, as though reciting marriage vows.
“The Forty Part Motet“, 2001 by Janet Cardiff.
40 loud speakers mounted on stands, placed in an oval, amplifiers, playback computer.
“Untitled (Seven editions in chronological order of the manual of urbanity and good manners by Manuel A. Carreño)”, 2004-2009 and “Untitled (Seven editions of La verdad del caso Vegas), 1987-2009 by Luis Molina-Pantin.
“Avenging the Ghosts and My Younger Self (situated between Minimalist Art and Arcade Games)”, 2002 by Andrea Bowers.
“La Nuit Américaine (The American Night / Day for Night)”, 2007 by Etienne Chambaud.
“Blue Book, Moon Rock”, 2009 by Sreshta Rit Premnath.
“Drum and Bass 2”, 2002 by Mathieu Mercier.
»Shavuot«, 2008 by Ohad Meromi.
“Information is content. Content is Fiction. Content is Messy.”, 2006 by Henrik Olesen.
“Principals Of Admitting”, 2009 by Karla Black. Plaster powder, powder paint, sugar paper, spray tan, chalk, concealer stick.
»The World State«, 2006 by Jan Freuchen.
»Steine«, 2010. 1000 stones, numbered with white marker by Mark Wallinger.
“No Drama House”, 2009 by Jean–Pascal Flavien.
“A defining moment 1”, 2008 by Haim Steinbach. Plastic laminated wood shelf, 2 resin cast “Degas” sculptures, 2 rubber dog chews, polystone rhinoceros.
