VVORK

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»NightLife« 2004, is a nocturnal light and sound installation exhibited at The Museum of Garden History, St. Mary’s Church in Westminster, London. The work consists of a sound track and two remote controlled spotlights illuminating the graves between the church/museum and a public walkway. Once activated the lights sweep across the graves, criss-crossing in sync to the opening chords of Michael Jackson’s “Thriller”. By Lynne Marsh.




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»The Sine Wave Orchestra« is a participatory sound performance project that has been started since 2002 by Furudate Ken, Jo Kazuhiro, Ishida Daisuke and Noguchi Mizuki. Utilizing sine waves (sound without any distortion and representing a single frequency) the four core members carry out performances in which members of the general public participate.




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“Hyperscratch” and

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“Firecircle” by Haruo Ishii.




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www.futurephysics.com (2007) by Rafaël Rozendaal.




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“Shiny Balls Mirror” (921 hexagonal black-anodized aluminum tube extrusion,921 chrome-plated plastic balls,819 motors,control electronics,video camera,computer) by Daniel Rozin. Video.




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»Wilderness«, 2006. Automated mirror sculpture by Doug Aitken.




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»Sharanga« (2006), oil on canvas, 200 x 100 cm. Lollywood is a series of oil paintings on canvas that are refering to various film posters of Lollywood productions. The word »Lollywood« refers to the Pakistani film industry, based in the city of Lahore.

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»The Right Way To Pray« (2002-03), interactive flash animation/ found footage from the web.

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»Seat« (2003). All projects by Shahram Entekhabi.




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“ElectroViaGram” by Nonconform, is an invitation to visitors to participate in the exhibition, in fact, to create it. “ElectroViaGram” is a machine for the production of exhibits which depends on visitors as a driving force. By passing light barriers the visitors activate loudspeakers which set the drawing area in vibrations.




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»Moving Pixel Portraits« by Oliver Laric (change window size to change image).




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»Birds of prey« and »Camera Kamer« by Sema Bekirovic.




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The »Media Pack Board« by Valerie LeBlanc and Daniel Dugas is used for interactive performances and public screenings.




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»Installation Shot« consists of two almost pitch black rooms, side by side. Two ‘participants’ are invited to wear a helmet each geared up with infrared ccd camera, transmitter and small monitor. Vision is switched between the two viewers in a minimal space only containing black board and mirror arranged in identical mirrored states. The initial effect is that of dissorientation followed by a convergence with the others perceptual space. By Derek Ogbourne.




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Neverland“. Michael Jackson’s eyes from his “Live from the Neverland Ranch” broadcast 1993.

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Nostalgia is Fear“. An artificial snow machine randomly activates with or without the viewer standing in the headlights of the car. Works by Jordan Wolfson.




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“Jump”, video and installation by Job Koelewijn.




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»Grey Area« (12 Atttempts to hide in an office environment) from 2001, »Fuck It Up and Start Again« (One guitar smashed and mended 7 times) from 2001 and »Individual Features Removed« from 2004 by Sofia Hultén.

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»Events With Unknown Outcome« shows various objects (beer crates, a blanket, ball and plastic bag) in the park surrounding the last border watchtower still standing since the GDR in Berlin. Sofia Hultén secretly videotaped whatever happened to the objects from the vantage point of the tower.




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»Humbug« is an installation with amplified insect sounds for a camping site.

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»Lightbar« is an interactive light installation in which the public can control a display existing out of 81 light bulbs. By pressing the sensors the audience can make animations and simple games. Both projects by Roch.




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Mapping by Jon Paludan. Use the arrowkeys to get around the World.




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An identical enlargement of a camera. At the exhibition, visitors could photograph the room and eachother with the giant camera.

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2001, by Sonja Nilsson.




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100dB at 100km/h: Spatial Sounds by Edwin van der Heide and Marnix de Nijs.




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“Steeplechase”

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and “Golden Sprinkler” by Cees Krijnen.




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