“Lighttypewriter” – the 264 light bulbs on the building could be controlled by 264 light switches on the street. By Constantin Luser.
»Carnot’s Refrigerator« (2004) and »Plumbing Intervention« (2003) by Marcus Ahlers.
»Van de hoge« is a temporary installation in the terrain of the Royal Military Academy in Breda/Netherlands. Three diving boards are mounted to the building in which the soldiers are housed. The boards (in national colours) face the pavement of the exercise area. By Matthijs Bosman.
»on-going-going on- autographs of the initiators«. On April 25th 2005 Maurice Bogaert had his parents autographs tattooed on his feet, on the left foot his mothers and on the right foot his fathers.
»copy / past / time shift« from 2006 by Wouter Huis. Video footage recorded in the afternoon is projected on the same surface at night.
In the intervention »Trial-Living in Slubfurt«, the loggia at the Place of Heroes in Slubfurt* is directed westward. Folding-stools, table and grill-ton are ready to use. Interested parties are given a key to gain access to the loggia nearby the monument against Fascism. The walls are painted in the prefered colour of the temporary user (*Slubfurt is an artificial word, a combination of Slub(ice, Poland) and (Frank)furt at the river Oder).
In the intervention »Pulheim Castling« two square areas (5×5 meters) are selected. One is located in front of the Pulheim high school. The other is located in front of the abbey in the district of Brauweiler, a distance of 5 kilometres. With the help of a professional archaeologist the sites are measured, meticulously documented and then their locations are exchanged. Road surfacing, grass, asphalt, bicycle stands, a piece of fence and garbage bins change location. The cobblestones and their white marking lines are clasped in a steel girder for transport. They are carefully re-aligned in their new location.
The portable park bench »TRASBA« was designed with two configurations in mind. In it’s furniture-configuration the TRASBA provides seating space for up to 6 persons. In it’s mobile configuration it rests on the shoulders of one strong carrier-person. It can be moved effortlessly over several kilometres. All projects by Christian Hasucha.
“Lichtkegel”, “Sockel für einen Baum”, “Halbzeit – Mein Volumen verlässt einen Stuhl”, “Rohrverdickung”,
“Elfmeter”, “Hundeknochen” and “Spray” by Markus Hofer.
Blue Moon plays the tides, the tides mix the city noise into 3 tuning tubes generating harmony in response which then playback in real-time. By Bruce Odland and Sam Auinger.
“Uncovered”.
”Old good times”. The buildings shown are an abandoned textile factory complex, in which the chimney was re-activated for the period of one day.
“Privatised”. Works by Leopold Kessler.
»Grey Area« (12 Atttempts to hide in an office environment) from 2001, »Fuck It Up and Start Again« (One guitar smashed and mended 7 times) from 2001 and »Individual Features Removed« from 2004 by Sofia Hultén.
»Events With Unknown Outcome« shows various objects (beer crates, a blanket, ball and plastic bag) in the park surrounding the last border watchtower still standing since the GDR in Berlin. Sofia Hultén secretly videotaped whatever happened to the objects from the vantage point of the tower.
“Würstelplex Wien” and
“Sommerloch ’05″, inside the garden of mahony’s studio, an object consisting of wooden scaffolding and approximately 90 m2 of cardboard is constructed. Works by Mahony.
»Waiting« from 1999 is a permanent video projection in the public space of the railway station of Hoofddorp/The Netherlands. It consists of 2 characters, a boy and a girl who are waiting in 2 different places at the station every day. They wait the hole year: in winter in warm clothes and when it’s hot in summer clothes.
»Train Dance« from 1997 is a projection on passing trains in Copenhagen. »Maybe Marnixstraat« from 1998 consists of 2 video images projected from 2 driving vans onto buildings, cars and streets passing by.
»Guards« is a projection of miniature PS1 security guards inside PS1. All projects by Jeroen Kooijmans.
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