“Exclamation Point”, 1980 by Richard Artschwager.
“Materialranking I“, 2009 by Jonas Etter.
»Camouflage Church« (2006)
»There Will Be No Miracles Here« 2006
»The Lamp of Sacrifice« (286 Places of Worship, Edinburgh 2004) by Nathan Coley.
»Attributing Value (Refractions)« by Damon Zucconi.
»Neon from Museum Boijmans Van Beuningen installed at Galerie West« by Arin Rungjang.
»two hundred fifty googled images« by Katerina Matsoukis is a printed email showing two hundred fifty image search results for the words two, hundred, fifty, googled and images.
»Canon Remix« by Haroon Mirza.
»Logo Hallucination« by Christophe Bruno.
»four weddings and a funeral« by John Michael Boling.
»Dialectics of Subjection #4« by Anetta Mona Chisa and Lucia Tkacova.
»POST-POST-PRODUCTION« by Julien Prèvieux.
»BUBBLECARS« by Collectif-Fact.
»Canon« by Bad Beuys Entertainment.
Documentation of »Bad Beuys Entertainment, Boling, Bruno, Chisa & Tkacova, collectif_fact, Matsoukis, Mirza, Prévieux, Rungjang, Zucconi« curated by VVORK for Galerie West, Den Haag, 6.10.-3.11. 2007.
»Anatomy of a Murder« set, 2007 and »Super How To from«, 2006 (a series of ready-made canvases painted to look like objects that share the same dimensions) by Roula Partheniou.
»The Whole Alphabet, From The Center Out, Digital, VI« (Gouache on paper on panel, 2006) and »0-9« (Gouache on paper on panel, 2005) by Tauba Auerbach.
“Opening Credits (New York)” and “Stand-In for a Rock’n Roll Altar” by Jacob Dyrenforth.
»In Da Club, 50 Cent, #1 on the US charts March, 2003« by Hadley and Maxwell.
A poster designed with reference to colours relating to the history of Cinema by Martin Frostner.
»Artist Clothing« lightboxes designed by Martin Frostner for Lena Malm and Charlotte Enström.
»on-going-going on- autographs of the initiators«. On April 25th 2005 Maurice Bogaert had his parents autographs tattooed on his feet, on the left foot his mothers and on the right foot his fathers.