VVORK

»La Más Bella TÚ«, 2003, a wallet containing works by 50 artists, in edition of 1000 by Pepe Murciego and Diego Ortiz.

»Mobile Models Ongoing«, 2011 by Andres Laracuente.

»Construction II«, 2004 by Daniel Shea.

»meta readymade serial–triangulation«, 2010 by Benjamin Husson.

“Work No. 1051”, 2010 by Martin Creed. Marble.

»Untitled, (N°4)«, 2009 by Jos De Gruyter & Harald Thys.

»Mémoire«, 2006 by Sammy Baloji.

“Thank You for A Lovely Time”, 2010 by Ama Saru & Hsiao Chen. Books, clock hands, book stands.

»133,120cm of Nylon Monofilament and Black Acrylic«, 2011 by Robert Currie.

»Slow Riser«, 2011 by Neil Clements.

»Similar to Squirrels after A. Dietrich«, 2003 by Richard Phillips.

»Two Squirrels in Landscape«, 1939 by Adolf Dietrich.

»Hot Desk«, 2011 by Lorenzo Bernet.

»A Tour of the Atlantic Crossing 1 Transatlantic Submarine Cable«, 2011 performance, encrypted 500 gigabyte portable hard drive by Lance Wakeling.

»4900 Colours (Version II)«, 2007 by Gerhard Richter.

»Billboard 01«, 1991 by Gerwald Rockenschaub. Rockenschaub based his work on the modular system used by the poster company gewista, whereby each large-format poster is made up of 8–72 standard format sheets. He had these sheets printed in monochrome in seven industrial norm colours from which he made forty colourful combinations which could be independently selected on the spot by whoever was putting up the poster.

A still from »Dammi i Colori«, 2003 by Anri Sala.

»Tombeau V1«, 2007 by Martin Widmer.

“Orbit”, 2011 by Björn Dahlem. Wood, aluminum, steel, brass, styrofoam, knob, stain, varnish.

»All sunset postcards available in Hawaii«, 2011 by Adrien Missika.