VVORK

»Versions«, 2010 by Oliver Laric.

»Goldman Sachs annual letter to shareholders typeset with the font Oh Marys«, 2010 (PDF) by Paul Chan.

»The Queen of the Jungle (If I Had a Gun)«, 2007-08 by Vahid Sharifian.

“Birds of Pray”, 2010 by Haroon Mirza.

“Study Pollock IV/IV”, 2006 by Daan van Golden. Oil on canvas.

»Where are the people that talk on the radio?«, 2009 by Spiros Hadjidjanos.

“Ljudmilla Putin Jacuzzi”, 2008 by Mike Bouchet. Fiberglass, cardboard, paint.

»Agua en el humo, fuego en el cielo«, 2005 by Yunior Mariño.

»Untitled (26.5km gaffa tape), 2009 by Matt Bryans.  

»History of the World (Consolidated)«, 2008 by Eduardo Sarabia.

“Untitled (Seven editions in chronological order of the manual of urbanity and good manners by Manuel A. Carreño)”, 2004-2009 and “Untitled (Seven editions of La verdad del caso Vegas), 1987-2009 by Luis Molina-Pantin.

»STAIRCASE«, 2007 by Kevin Van Braak.

Test illustration for Zaludna mistrija, 1963 by Bogdan Bogdanović.

»Totem (Vandals)«, 2009 by Adam Jacono.

“Dunkelkammerhut (Darkroom Hat)” by Alfons Schilling.

“La Nuit Américaine (The American Night / Day for Night)”, 2007 by Etienne Chambaud.

»I was a Rich Man’s Plaything«, 1947 from the series »BUNK« by Eduardo Paolozzi. BUNK is the title for a series of works that were originally pages of a scrapbook in which Paolozzi had stuck cuttings from magazines, mostly given to him by American ex-servicemen in Paris in the late 1940s. The word ‘BUNK’ stems from Henry Ford’s statement, ‘History is more or less bunk, we want to live in the present’. It reflects Paolozzi’s belief that art should respond to contemporary culture.

»better than de kooning«, 2008 by Peter Saul.

»Lost Kingdom of Navin«, 2009 by Navin Rawanchaiku.

»Cop Head 69«, 2006 by Dean Sameshima.