VVORK

“Radisson/Picasso”, 2002 by Serkan Özkaya.




“Splotch #15”, 2005 by Sol LeWitt.




“A Picture”, 2004 by Ruben Aubrecht.
“A Picture” deconstructs a digital photo split in its information contents, the source code. 253 pages.




“Comicgeschichte V, Blatt 5”, 2002-2004 by Niklaus Rüegg.




»hybridmoment.com«, 2009 by Rafaël Rozendaal.




“g”, 2008 by Jack Strange. Lead ball, laptop.




“Untitled (mirrored tambourine painting)”, 2008 and

“Untitled (cement towel corners)”, 2008 by Paul Lee.




From “Nadelwald”, 1984 by Michael Badura. Algorithmically generated towers, halms and leaves.




»Untitled«, 2007 by Roberto Calbucci.




»My Baby«, 2007 by Ron Tran.




“Italian square”, 2008 by Aldo Giannotti. Installative performance – plywood, italian citizens, mp3-player, speakers.




“75P”, 2004 by Henrik Menné. Dyed paraffin wax, iron, heating element, engine.




“Giesskanne”, 1989 by Thomas Bayrle. Plastic watering pots, metal.




Large Field Array“, 2006 by Keith Tyson. “Large Field Array” is a collection of 300 cubic sculptures arranged in a grid pattern across the floor and up the walls of the exhibition space.




“Ohne Titel (Taucher)”, 2008 by Christoph Meier. Wood, plastic, paint.




“Eight”, 2008 by Dennis Loesch.




“The Blue Project – Seunghuyk and His Blue Things”, 2007 from “The Pink & Blue Project”, 2005-ongoing by Jeong Mee Yoon.




»Reticent and Politic«, 2008 by George Henry Longly.




“Tarring wheels (from uncertain pilgrimage)”, 2006-2009 by Gareth Moore.




»La ascensión«, 2005 by Jorge Macchi.




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