»LA VOIE (STONEHENGE 4A+)«, 2006 by Jeremie Gindre
“Transparent Plexi Mandala”, 2006 by Karl Holmqvist.
»Memory Theatre (A slide of a sun temple’s sacrificial altar, a modified skylight in the Loggia’s dome at Tate St Ives, an Extreme Proxigean Spring Tide, and the correct angle of the sun.)«, 2008 by Adam Chodzko.
“The Land”, since 1998 by Rirkrit Tiravanija. The land project was initiated by Rirkrit Tiravanija and Kamin Letchaiprasert as a self-sustaining environment emerging from the artistic community.
»I considered the title of this work but it never come up. Following things could be related to the title. 1) I love to go out from the exhibition space because of BankART facing the sea. 2)There are so many trashes which some artists made and showed as art work before in BankART. 3) I want to make a raft using those trashes. 4) I think it’s not a question that the raft float on water or not but it’s good to be floating there.«, 2007 by Koki Tanaka.
The double video installation »Guysgocrazy«, 2007 was produced in collaboration with the Prague-based pornographic company under the same name which organizes large-scale orgies. The empty studios were filmed before and after one of their events.
»Arkadashlar«, 2006. The video made at the British Military Base in Cyprus and initially presented as part of the video Installation »Truly«, documents the commission of British army Jet Fighter airplanes to draw a heart on the Cypriot Sky. It was screened for three days on top of The Marmara Hotel, one of the most prominent buildings in Istanbul, during the time of the formal visit of the Greek Foreign Affairs Minister Dora Bakoyianni for the talks she had with her counterpart Abdullah Gul, in their attempt to ease the tension between the two countries, following the mid-air collision between jousting Greek and Turkish fighters over the Aegean. By Christodoulos Panayiotou.
“Rassemblement Pour Repeindre (Gathering to repaint)”, 2006 by Matthieu Clainchard.
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