
“The Wall”, 1964 by Michelangelo Pistoletto. Transparent plexiglass, 180cm x 120cm.

“The Wall”, 1964 by Michelangelo Pistoletto. Transparent plexiglass, 180cm x 120cm.

“Vanitas”, 2005 by Oskar Dawicki. A collection of groceries whose best before dates expire during the exhibition. The timers placed by each of the products display the time left – each day of the exhibition another product expires, as the exhibition ends all products are inedible.

“Untitled”, 2008 by Pratchaya Phinthong. Installation. Anonymous quote found on Internet printed on transparent film, portable projector, electrical transformer.

Film poster for “On Otto”, 2007 by Tobias Rehberger. Video. Instead of starting with a script, the work of this movie was started with the movie poster.

“Atari Light”, 1999 by Pierre Huyghe. Computer game program interface, joysticks, halogen lamps.

“Freud.ppt”, 2008 by Gregory Fong. Diagrams culled from Freud’s writings, presented as a PowerPoint.

“Fabiola“, is an ongoing work by Francis Alÿs. Over the last two decades, Francis Alÿs has assembled a collection of nearly identical paintings and other reproductions of fourth-century Saint Fabiola, all based on a now-lost original painted in the nineteenth century by the French artist Jean-Jacques Henner.

“Freier Fall”, 2006 by Albrecht Schäfer. DVD, 28sec. loop, no sound, projector with holder.

“Elf/Elf”, 2006 by Gottfried Bechtold. Eleven models of a Porsche 911 covered with a protective cloth casted in concrete.

“Live Subtitles”, 2005 by Gareth Long. Installation with video, camera, microphone, computer, speech recognition software, printer, paper- The installation used voice recognition software to cull the voices of the spectators, turning their speech into live captions superimposed on a live video feed.

“Woman in the dune”, 2007 from the series “Traditions” by Nicolas Djandji.Video.

“Transa”, 2005 by Armando Andrade Tudela. 9 copies of album sleeve for “Transa”, Caetano Veloso, 1972.