
“Heliography” (study), RGB Mirrors. Video.

“Rudolph”, lasers, fog. Video. Works by Christopher Musgrave.

“Heliography” (study), RGB Mirrors. Video.

“Rudolph”, lasers, fog. Video. Works by Christopher Musgrave.

»Thermopaper« slowly travells from one roll to the other and turns black in the middle.

In “Mirror digital clock” 28 motors control 28 mirrors forming a clock.

»1g/min« is based on a machine attached to the roof of a room, rotating with a speed of one revolution per hour. Every minute one gram of hotglue drops down on the floor. Over time a sculpture takes form. All three projects by Albin Karlsson.

»The Landscape Is Changing« (2003) shows demonstrators marching in silence through the streets of Tirana with blank mirrors.

In »Double Heads Matches« (2002/03), the production of 20.000 boxes of double-headed matches at Gherla Match Factory in Romania is documented. The production is done manually as the double-phosphorus dipping is not realizable through mechanic production.

»Diamond Corn« (2005). All three projects by Mircea Cantor.

“Shiny Balls Mirror” (921 hexagonal black-anodized aluminum tube extrusion,921 chrome-plated plastic balls,819 motors,control electronics,video camera,computer) by Daniel Rozin. Video.

»Why Would You Believe Something You Don’t Believe« (2006), »Waldspiegel« (2003) and »Spiegelung« (2002) by David Renggli.

»Installation Shot« consists of two almost pitch black rooms, side by side. Two ‘participants’ are invited to wear a helmet each geared up with infrared ccd camera, transmitter and small monitor. Vision is switched between the two viewers in a minimal space only containing black board and mirror arranged in identical mirrored states. The initial effect is that of dissorientation followed by a convergence with the others perceptual space. By Derek Ogbourne.

»Attributing Value (Refractions)« is an ongoing video series documenting various artist’s works. The works are environmentalized and refracted through the structural data of artist Damon Zucconi himself. Sofar completed are Bruce Nauman: 100 Live, 100 Die; Carsten Nicolai: Syn_Chron; Pierre Huyghe: L’Expedition scintillante; Richard Serra: Torqued Ellipse VI; 0100101110101101.org: jodi.org “%20Transfer”.

»Zenith Alignments«. Using star tracking software, minor zenith alignments with celestial bodies were found to occur at multiple intervals throughout the course of the day over various locations. These precise locations were located via GPS. 3-point areas were located at sites of the zenith alignments. These areas were highlighted and clearings were made to coincide with the alignments. So at the moment of the alignment Damon Zucconi would be exposing the ground and aligning himself with the line that extends to the star. These specific alignments were unique to these specific locations, occurring once an annual cycle. This could largely be seen as the process of integrating himself with 90 degree angles, in turn, demarcating larger phenomenological alignments and relations: “the body mapped onto the land onto the heavens above.”

»’At’ Asserting its Object Status«. Found sculpture.

»2d Orthogonal Line Drawing«. Drawing with laser and mirrors. All projects by Damon Zucconi.


Dance Steps Painting Diptych ”The Technical Vocabulary of an Interior Decorator”,


”The Falling Leaves of St. Pierre” and


“Make it with you: Slow Dance Club” in collaboration with Assume Vivid Astro Focus by Los Super Elegantes.

Videostills taken from the Think That Thought by the audiovisual artist Janine Rostron aka Planningtorock.

Adversus solem ne Loquitor, 2003, is a periscope made out of books. A view through the cut pages to the miniature figure at the end and ultimately to the Siena sky. A homage to Galileo.

Enclosure, 2002.

Offshoot, 2004. A small Yew tree uproots itself, and strays from the path of its elders in search of
the unknown. By Anna Boggon.

Periscope-sculpture. Vertical architecture lined with mirrors.

Fish, Bird, Deer, Bear. Sequence of cutouts in children book principle. By Gabriel Lester.