VVORK

»Footstompin«, 1991 by Christian Marclay.

»The Jackson 5 Christmas Album, as Lip-Synched by Marisa Olson«, 2005 by Marisa Olson.

»Michael Jackson White«, 1997-1999 by Paul McCarthy.

»Bad«, 2006 by Julien Prévieux.

»Bad« (2007) by Kristoffer Akselbo.

»Live from Neverland«, 2006 by Paul Pfeiffer.

»King«, 2005 by Candice Breitz.

»Michael Jackson and Bubbles«, 1988 by Jeff Koons.

»Fila«, 2009 by CORNROW RIDER.

»Tupacproject«, 2005 by Paolo Chiasera.

»Full Moonlight«, 2008,

»Étude (Minor Relative)«, 2008,

»From Right to Left (Playing the Farfisa Organ and the Rhodes-Electric Piano)«, 2008 by João Paulo Feliciano.

»Untitled«, 2009 by Ben Schumacher

»Death In Dallas«, 2001 by Zoran Naskovski. A video installation, which sets newsreel footage of John F. Kennedy’s life and assassination with a mournful ballad about the tragedy sung to the accompaniment by the sounds of an ancient one-stringed instrument known a gusle. The inspiration for the piece was an unsettling audio recording, bearing the same title, which Naskovski found at a neighbourhood flea market in Serbia.

»The Planets«, 1984, series of six single records collected from special effects sound libraries by Jack Goldstein.

»TOP 50«, 2007 by Frederic Post.

»Blowjob V«, 2009 by Wojciech Kosma.

“Bootleg Piece #2 (Brussels)”, 2006 – free CD’s (with John Prine bootleg concert) and “GEEE! (US Patent number: 7.337.565 B2)”, 2008 by Øystein Aasan.

“Wild Signals”, 2007 by Kevin Schmidt. The videoinstallation features the five-note melody that served to communicate with extraterrestrials in Steven Spielberg’s film “Close Encounters of the Third Kind”.

“Vibrosaurus”, 2008 by Constantin Luser. Bugles, tubas.

»Never Say Die«, 2008 by Marijn van Kreij.