VVORK

“I’m not trying to make history here” by Michael Phelan.

(>’.')>=O____l_*__O=<('.'<), (2008)

↓ ↑, (2008) by Oliver Laric.

»Land Mark« (Foot prints) #2, Set II, 2001-2004,

Still from »Returning a Sound«, 2004 by Jennifer Allora & Guillermo Calzadilla.

»Quatenary Fields/Associative Diagram«, 1998 by Sam Durant.

“Acid Brass” by Jeremy Deller. A Brass Band playing Acid House anthems. Video.

“Truism on a G” (Video) by Haroon Mirza.

»Song And Dance« a performance by Mark Tompkins.

“Harddisko” by Valentina Vuksic.

“All together now” – Playlist and

“Pair of speakers, audio” – Audio installation in which Marshall & Marshall emit popular duets performed by famous ‘couples’. By Jack Falanga.

John Cage’s 4:33 performed by the BBC Symphony Orchestra.

Cage: That’s how I invented the prepared piano.
Montague: On the moon?

John Cage interviewed by Stephen Montague (Summer 1985).

“Millitron” – Playerpiano II by Winfried Ritsch.

»Pianorama«, 2005. An old fashioned upright piano sits in the middle of the space. There are two small loudspeakers on top of it. A mechanical device (which plays the piano), sits on top of the keys. Out of one loudspeaker comes Janet’s voice and out of the other comes George’s. These voices are discussing what type of music might be appropriate for what seems to be a film they are planning. By Janet Cardiff and George Bures Miller.

»School of Velocity«, 1995, by Rodney Graham, combines the piano exercise of the same name with Galileo’s equation of the acceleration of falling objects. The result is the piano piece progressively slowing down, with longer and longer pauses between notes. Based on a few bars of music cobbled together out of the score of Wagner’s Parsifal by Engelburt Humperdinck, Wagner’s assistant, to compensate for a problem the opera company was experiencing in synching up its music and scenery. Graham adds a progression of repetitions, whose durations are determined by the prime numbers between 3 and 47, for each of the fourteen instrumental sections that would be playing Humperdinck’s interpolation. The result is an opera that doesn’t end until the year 38,969, 364,735.

»Songs Translated To Buildings« (2008) by Oliver Laric.

“Organism”, a combination of an organ concert and a time based lightshow, by John Dekron and Gonzales.

»Outro & bybye« (2007) by Thomas Traum.

»Oh Yeah I Love You Baby« (2007) is an album by Marisa Olson based on the most significant lyrics in pop music history.

“Kilometers of blank audio tape” – Installation/object consisting of 750 blank audio tapes. The common leght of all tape makes 101 kilometers and 300 meters – an approximate distance between main Vilnius’ and Kaunas’ exhibition spaces.

“Bumsteinas plays Baldessari sings LeWitt”. Video. Documentation video of the real time instrumentation of John Baldessari’s voice performance of Sol LeWitt’s Sentences on Conceptual Art. See also: João Onofre and John Baldessari.

Video “Still Alive”. All Projects by Arturas Bumsteinas.

»Sousaphonograph«, (2005) Original four-valve Sousaphone mounted onto a delicate clockwork phonograph mechanism designed to play a 78 rpm recording of “The Stars and Stripes Forever” through the hon while the turntable and the horn rotate around the playing record, completing one exact revolution for every two sides played. By Paul Etienne Lincoln.