VVORK

»Blood Fantasy« (2007) by « by Javier Morales and John Michael boling (music and poem by Javier).

»Power Trio« creates a sonic enviroment by mapping the fluctuations in stock prices of three music industry conglomerates to musical notes. See also NASDAQ Vocal Index.

Video still from »Interview«, 2003. A late night talk show interview is appropriated and spoken by mannequins and computer voices. By Andrew Demirjian. See also The Fuccons.

»pigeons aligner«, 1996.

»totalmaxigoldmachine2000«. A soundtrack consisting of very short samples of dance music hits, broadcast non-stop and very loud in one of the rooms at the exhibition of Negotiations, at the CRAC in Sète, on the theme of trade and capitalism. »mmmmmm«, 2000. Monologue lasting about 50 minutes in which the aphasic Michel Prades talks about his relation to language, the poems he writes, and the accident that caused his handicap. This soundtrack was broadcast in the streets of Cahors by the loudspeaker system normally used to announce commercial services. By Boris Achour.

Video for The Maccabees’s “Latchmere” by Hugh Frost in collaboration with Samuel Bebbington and Holly Blake.

»The Good, the Bad, and the Ugly« (3 Rek-O-Cut turntables, wood, aluminum, Hardware, Mixer, Amplifier, Speakers, 3 Ennio Morricone LPs) from 2006 and »Kraftwerk« (3 2055 Kenwood Turntables, mixer, speakers, Kraftwerk record albums) from 2005 by Sean Duffy.

»In Da Club, 50 Cent, #1 on the US charts March, 2003« by Hadley and Maxwell.

“We are car” – Utilising a running motorbike engine as a musical instrument in order to record and subvert selected Rock classics, exploring parallels of emotional thrills induced by acceleration, speed and Rock. By David Muth in collaboration with Chris Lum.

»Message The« by Oliver Laric.

Haroon Mirza

telephone/daisychain and

Fantasie no. 1 for Mobile Pianos by Joseph Winter.

»D, E, G, A« by Aleksandra Domanovic.

“NASDAQ Vocal Index” – The graphs of companies listed on the NASDAQ are transformed into music. Computer software converts the graphs to sheets of music, and the scores are presented online on a projection screen. By Ola Pehrson. Video.

»Death to Everyone« (2006) by Lars Eijssen.

»Love Aktion Machine« by Lars Eijssen, Mark Bain and Anuschka Blommers. Record sleeves by Experimental Jetset.

Danius Kesminas exhibition »Vodka Sans Frontieres« derives from the 2004 discoveries of illegal underground pipelines pumping vodka into Lithuania. The centerpiece of the exhibition is a vodka pipeline organ. Made from plastic sewerage pipes, the organ resembles the Lithuanian folk instrument skudučiai, but it’s end product is not vodka, but music. Air is pumped into the pipes by a revolving barrel, which regulates the valves of the organ to play a traditional Lithuanian drinking song, Gerkit Gerkit, Broliukai (Drink Brothers, Drink).

freq_out is a sound installation comprised of 12 individual sound works each utilizing a specific frequency range, made on site, and amplified to act as a single, generative sound-space. Encouraged by d!sturbances, Swedish artist and curator C M von Hausswolff assembled a collection of 13 artists, consisting of sound artists, architects, composers, producers, sculptors, mathematicians and visual artists. Each artist is assigned a frequency range with which to work. This process is carried out in situ, each using a workstation consisting of a mixing desk and PA system. All the resulting compositions are then amplified together in the space to create a sound installation or performance.

Videos “Wait“, “Portrait room“,

“Brainquest“, “Rock your body” and “Home” by Brian Bress.

»the church of the future« and

»body magic« by Javier Morales and John Michael Boling.

»canterbury tales rap« and

»accidentalbluescreen« by John Michael Boling of gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com.

»Bricks Are Heavy«. Musicians, artists and dj’s were invited to record one tape, all to be played at the same time on each boom box. By Rui Toscano.

“Minus”, a punk band’s entire equipment frozen at -25° Celsius immediately after their concert, arresting the transitory moment of the performance in a kind of standstill. By Christoph Büchel.

»Smells Like Teen Spirit« and »Thriller« from the series »Greatest Music Videos of All Time«. MTV compiled a millenium list of top 10 greatest music videos, all of the videos from the list were digitized in their entirety and the individual frames were simplified to their mean average color, eliminating overt content. These solid-colored squares were then arranged in their original sequence and are read left-to-right, top-to-bottom. By Jason Salavon.