VVORK

“Le Comble”, 2007 by Etienne Chambaud.




“Portrait Sketch”, 2006 by Oreet Ashery, shows Ashery dressed as a Jewish and Arab man drawn by one street-portrait artist in New Delhi.




»Ads on TV–Beauty-turned-Disaster«, 2002,

»A CHU YUN WORK II«, 2003, Chu Yun.




»mega promo«, 2006-2007 by Anthony Peskine.




Gray Painting #1, 2005 by Hideki Nakazawa.




From the series “LS” by Beate Gütschow.




»Timekeeper«, 1999. Installation view of a hole revealing wall painting of successive exhibition layers, 20 cm in diameter at the Viennese Secession. By Pierre Huyghe.




»Folk Architecture Monument«, 2006,

»Covering«, 2001 by Tomáš Džadon.




»Black Sea Surfer«, 2004 by Andro Wekua.




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“IF”, 2007 and “OU”, 2007 by Philippe Mayaux.




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»Untitled«, 2008 by Igor Eskinja.




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»Flüchtige Gewissheit«, 2004, by Gerhard Mantz.




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»Oil Painting Self Portraits Made In China«, 2007 by Bjørn-Kowalski Hansen.




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»Requiem Reversal«, 2005-06, by Zach Harris.




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»Walrus«, 2006 by Stefania Galegati.




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»Magic Eye«, 2002, by Rory Macbeth.




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»Painting China Now«, 2007, a collection of thirty oil paintings, depicting instances of violence inflicted by the Chinese government upon their own citizens, commissioned to a professional Chinese craftsman via the internet. By Ondrej Brody & Kristofer Paetau.




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Cabinet #6, #4 and #5, 2005, acrylic on stretched canvas, by Kaz Oshiro.




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»The Holy Family«, 1980, by Allan D’arcangelo.




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»The Persistence of Memory«, 1931 by Salvador Dalí.




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