VVORK

“Human Form”, 2009 by Joe Bradley.

“Portrait of Thomas Carlyle as a Climbing Wall”, 2007 (Proposed by Giulio Caradonna, former member of the Italian Social Movement – National Right Party) by Chris Evans. Airbrush painting.

»Chelone Obliqua«, 2008, mixed media on canvas, by John Armleder.

From the series “minim in” by Benjamin Émile.

»Untitled (de Kooning/Raphael Drawing)« and »Untitled (Pollock/Titian)« 1984/2005 by Andrea Fraser.

“Around Noon”, 2007 by Darren Almond. Wall painting according to sunlight.

»Muttenz«, 2005,

»Kemper«, 2004 by Renée Levi.

»The Evil Painting«, 2008 (oil on lightbox) by Ivan Grubanov.

“Suite of Six diptychs in Red(A), Orange(E), Yellow(I), Green(O), Blue(U), and Purple(Y)”, 2006 by Ricci Albenda.

“Landscape/Dtp Bliss”, 2003 by Carlo Zanni. Oil on linen. See also.

From the exhibition »До pixel«, 2009 by Armen Bugayan.

»Internet Painting«, 2009 by Miltos Manetas.

»La peinture des Martin de 1900 a 2000«, 2000 (a collection of paintings by artists whose surname is Martin) by Bertrand Lavier .

“Fabiola“, is an ongoing work by Francis Alÿs. Over the last two decades, Francis Alÿs has assembled a collection of nearly identical paintings and other reproductions of fourth-century Saint Fabiola, all based on a now-lost original painted in the nineteenth century by the French artist Jean-Jacques Henner.

»THE RESTORATION PROJECT« is an ongoing work which started in June 2006. It examines the process of restoration as an endeavor spanning two moments in time: the production of the artwork (A) and its reception (C). By focusing on the time in between (B), the restoration itself highlights the temporality of an artwork, subtly altering its effects and changing its conditions of visibility. The first time this project was exhibited a restorer was resident in the gallery over a five-week period, working on a number of paintings carefully chosen on subjects that run through Marine Hugonniers practice. The exhibition featured a working laboratory including an easel, chair, cabinet. Viewers were invited back to the gallery to witness the project’s fruition.

»Male Female Child«, 2008 by Petra Cortright.

»Murs de peintures«, 1966-77 by Daniel Buren.

»Birdshit«, 2007 by Dan Colen.

“The five most ugly faces in the National Gallery“, 1999 by Felix Gmelin.

“GSP004”, 2005 by Stéphane Dafflon.