VVORK

»Bellum (69 Churches)« by Gerald Edwards.

»Miss High Times«, 2008 by Michael Phelan.

No. 3 from the series “A Space Formerly Known as a Museum“, 2007 by Nina Fischer & Maroan el Sani.

“Untitled (Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes mystic truths)”, 2006 by Peter Coffin.

“The Sun is Always Setting Somewhere Else”, by Lisa Oppenheim. 35mm slide projection using images downloaded from the internet of sunsets taken by soldiers in Iraq, then positioned in front of the setting sun in New York.

“Everything You Rearranged/Everything You Left The Same (The Branch)”, 2008 and “Everything You Rearranged/Everything You Left The Same (The Car)”, 2008 by Alexandra Navratil.

“Mother and Child”, 1998 by Heather Ackroyd and Dan Harvey. The artists use genetically manipulated grass as a photographic medium to display the portrait.

“45º 46’ 48. 94’’ N 8º 02’ 26. 11’’ W”, 2008 by Carlo Ferraris.

“N-1 #1”, 2007 by Andrea Galvani.

»Flood«, 2008 by Qiu Yang.

»We’re Coming, We’re Coming, Wait Up, Stones«, 2008 by Susan Robb.

»Edam«, 1970 by Ed van der Elsken.

“Not Yet Titled”, 2008 by Gelitin.

From the series “LS” by Beate Gütschow.

“Constellation” by Hannah Whitaker.

“0621100184”, 2006 from the ongoing series “Colorium” by Rivkah Young.

»Cryopreservation Unit, Cryonics Institute, Clinton Township, Michigan«

»The Central Intelligence Agency Art, CIA Original Headquarters Building, Langley, Virginia« by Taryn Simon.

»Multiplies«, 2007 by Nobuhiro Fukui.

»In Progress« by Kim Boske.

»The Back Of All The Trucks Passed While Driving From L.A. To Santa Barbara«, 1963 by John Baldessari