VVORK

»Computers, chairs and table«, »Chair and table« and »Eusebio« taken from the series »Fotogalleriet« (1998) by Marcelo Krasilcic.

»Conditioned« by George Bolster.

“Tangible Beauty” by Peter Dressler.

»San Fernando Valley Porn« by Vera Hartmann.

“Smile Your Activities”,”The Singing Bush” and “Vacuum Dada” by William Hundley.

»Chris« (1994) taken from the series »Dystopia« and

»Still-Life #2« (1996) taken from the series »Plasmorphica« by Aziz + Cucher.

»Symbols 1« and »Symbols 2«, 2006. From the series »Tresholds And Gaps«.

»On-Site-Art, Schulhaus Bachtobel Zuerich«, 2002. by Istvan Balogh.

Untitled sculptures and untitled photo by Emmeline de Mooij.

“No Title”, “Totalitarianism” and portraits of Marcel Musters by Viviane Sassen.

The new issue of Fairy Tale is out now, by vier5.

Pictures by Jerry Hsu.

»Private Stages«. Collages by Peter Freitag. Amateur photographs of nudes are taken from the internet and obscured with the application of “dots” that are made with punchhole irons using the colours and structures from the original image. The process of manipulation remains visible on the image plane with dots and circles forming a recognizable silhouette of the vanished nude, undermining the original intention of the images through a simple process of interference.

»Stimmung Sarah«. Diaporama by Philippe Jarrigeon.

»Gang Gallery« by David Barbarino.

»Kung fu lite« by Alexander Hassenpflug.

»Muskel Saal 50« by Jonathan Mese.

»Models, a collection of 132 German police uniforms and how they should be worn« by Erik Kessels shown at the exhibition »Loving your pictures« at the Centraal Museum Utrecht.

»Useful Photography #002« shows a collection of anonymous ebay photography collected and edited by Hans Aarsman, Claudie de Cleen, Julian Germain, Erik Kessels and Hans van der Meer.

»Lost Boys«, Slava Mogutin’s first monograph, is a compelling collection of his portraits and landscapes taken over the past ten years – since he was exiled from Russia for “malicious hooliganism with exceptional cynicism and extreme insolence.”

»Projection Sphere with Mural (European)«. By Ara Peterson.

“Them”. They are Them. They are made from recovered clothes, collected from lonely places – woodland, wasteland, car parks. By Danny Treacy.

»In almost every picture« shows images taken with a camera that detects motion. Deers and other small animals in nature unwillingly take self portraits. Images collected and edited by Erik Kessels.

»Daimlerstraße 38«. The fox photos are the result of a pseudo-scientific research project about biology and geography in an industrial waste land. Tue Greenfort collected garbage to construct the photo trap for observing the foxes he discovered in that area. The animals were lured by a sausage. When the fox bit into the bait, it activated the camera connected by a cord to the sausage. One week later, the animals had learned to eat the sausage without being photographed.

»Water Cooler« uses frozen fruit juice to cool water brought up from the point in Witte de With’s cellar where it enters the building. The intervention into the functional architecture of the institution takes Tue Greenfort’s exhibition beyond the gallery space, integrating his work into the building’s infrastruce.