»Olympic Snow«,
»Now Is More Than Ever« and
»Vocal Trance Lyrics« by Damon Zucconi.
»Wichita Lineman 1:3000 Scale«, 2001. The work derives from audio data of the 70′s country and western song “Witchita Lineman” (listen) by Glen Cambell. The landscape was generated from contour maps created from computer modelling data of the original song file. Computer audio visualisation processing software was employed to reconstruct the song using a series of 2D and 3D computer generated models from which the final version was modeled in clay and cast in glass-reinforced plastic. The geology of the landscape is a direct copy of the computer model created from the the song data and gets its characteristics from the XYZ axis of time-frequency-volume. By Calum Stirling.
»pigeons aligner«, 1996.
»totalmaxigoldmachine2000«. A soundtrack consisting of very short samples of dance music hits, broadcast non-stop and very loud in one of the rooms at the exhibition of Negotiations, at the CRAC in Sète, on the theme of trade and capitalism. »mmmmmm«, 2000. Monologue lasting about 50 minutes in which the aphasic Michel Prades talks about his relation to language, the poems he writes, and the accident that caused his handicap. This soundtrack was broadcast in the streets of Cahors by the loudspeaker system normally used to announce commercial services. By Boris Achour.
»Wappen« and »Phoenix« Piece (for KanYe West) by Alex Tennigkeit.
Pictures from ‘Mock N’ Roll’, a story about tribute bands and
“Stripper for a day” by Michael Schmelling.
“The only die-hard avantgarde group of new postrock generation leading from Estonia”: Luarvik Luarvik
