»Yokohama Trienniale, Yamashita Pier, Yokohama, 2005« by Beat Streuli.
“Self Portrait of a Working Man Missing a Million Pixels II” and “hus.DSC00109″ by Victor Boullet.
“Photofit: Self-Portraits” – a project by Giles Revell and Matt Willey. See also “Phantom 00” by Sonja Feldmeier and “Autoportraits-Robots” by Berra Leandro.
»Serafim«, 2004 (Ssawino-Storozhewskij Konvent, orphanage), »Corridor #1«, 2003 (boarding school of State Academy of Choreography at Bolshoi Theatre), »Philip«, 2003 ( Boarding school”Landschulheim am Solling” in Holzminden) and »#6«, 2002 (Frauenaufnahmeheim, Essen) from the series »Islanders« by Anastasia Khoroshilova.
»free fotolab« (2004-ongoing) evolves from a public campaign, offering the development of 35mm films free of charge in exchange for exclusive universal image rights.
Still from »gercegin geri donusu /the return of the real« (2005). By Phil Collins.
“Lindiwe Mutoma (Female Detective), Lusaka, Zambia” and “Prisoner, Jaco, rests in the exercise yard in the centre of Beaufort West Prison. He supervised the painting of the yard along with 2 other prisoners.” By Mikhael Subotzky.
»Yucca Valley Portraits«, 2006 (action photos of rocks being thrown in portrait shots) by Fernando Sanchez in collaboration with Sue Huang and Pascual Sisto.
»Sept 15 – Oct 21, 2006« (from Art Ad Series), collage, 2006
»commissioned self portrait v.2« (by montreal street portrait artist), 2006 by Paul Butler.
picturepeople #01 : THE SHADOW OF A PHOTOGRAPHER
picturepeople #11 : ANIMAL KISS
picturepeople #48 (4 Years!) : JESUS ON THE CROSS
PICTUREPEOPLE is an independent artistic (monthly) e-mail project by Rüdiger Heinze (writer) and Kristofer Paetau (visual artist) without any commercial purpose. It concentrates on the human representation in found amateur photography. The photographs become part of fictions – due to their re-contextualisation – and reveal different phenomena in human representation, interrogating mainly cultural and social issues, thus making connections to other fields of representation.
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