VVORK

Video “Trough the wind” (at 180h/km my face gets pulled into all directions) by Anina Schenker.

A still from »Self Portrait (abstract plain)«, 2006. The video is created by 3d scan data. Drawing on the historical cannon of self referential portraiture and still life painting, it is a study of material and surface. By Chris Cornish.

»Autoportraits-Robots«, 2005. By Berra Leandro. See also Sonja Feldmeier and Oliver Laric.

»Hero«, 2004.

»Twelve«, 2003, 6 DVD’s and »Turkish Delight«, 2006, single chanel video projection. All works by Kutlug Ataman.

Portraits of Florence Rey in progress, from the new series “Rubikcubist” by Invader.

“Buildinghead”, “Facepaint” and “Untitled” by Matt Leines.

Paintings by Johan Gustavsson.

»More Turns« by Bill Sullivan.

»David Hockney Portrait« and

»Chevrolet-Scan« by Christian Grund.

»Chris« (1994) taken from the series »Dystopia« and

»Still-Life #2« (1996) taken from the series »Plasmorphica« by Aziz + Cucher.

“No Title”, “Totalitarianism” and portraits of Marcel Musters by Viviane Sassen.

Portraits of Francis Bacon, Romy Schneider and Jonny Depp; part of the series “Phantom 00″ by Sonja Feldmeier. “Phantom 00″ resulted from the collaboration of various people of different age, different background, cultural and social affiliation. Looked for were fans which, from their imagination, described the face of their idol. As original material served a digital photo archives which the Criminal Investigation Department uses to produce composite sketches.

»Moving Pixel Portraits« by Oliver Laric (change window size to change image).

»Lost Boys«, Slava Mogutin’s first monograph, is a compelling collection of his portraits and landscapes taken over the past ten years – since he was exiled from Russia for “malicious hooliganism with exceptional cynicism and extreme insolence.”

13 rokakko (Japanese battle dragons) featuring portraits of 13 European leaders of right wing parties, being held by performers wearing parliamentary clothing. Performed at Heldenplatz in Vienna, where Hitler held his very first speech. The following leaders were portrayed in 2000: Christopher Blocher, Istvan Csurka, Gianfranco Fini, Gerhard Frey, Mogens Glistrup, Carl I. Hagen, Jörg Haider, Frank Van Hecke, Alexander Lebed, Jean-Marie Le Pen, Miroslav Sládek, Jân Slota and Cornelius Vadim Tudor. Project realised by Anne-Britt Rage in collaboration with Heribert Schiedel.

»In almost every picture« shows images taken with a camera that detects motion. Deers and other small animals in nature unwillingly take self portraits. Images collected and edited by Erik Kessels.

»Bodybuilders« by Richard Renaldi.

»Temporary Discomfort« documents Davos, Genoa, New York and Evian/Geneva in a transitory state of emergency lock-down during the global economic summits. It combines different photographical genres: landscape photography, photojournalism and police photography, though here with the camera lens turned back at the security forces.

»We will never be so close again« shows portraits of people waiting in their cars at traffic lights in New York, Zurich and Paris. Both projects by Jules Spinatsch.

“A demand of composed of 140 pieces”, “Fear of 280 pieces” and “Difference composed of 1800 pieces for Error C-prints” by Gwon Osang.

»Attributing Value (Refractions)« is an ongoing video series documenting various artist’s works. The works are environmentalized and refracted through the structural data of artist Damon Zucconi himself. Sofar completed are Bruce Nauman: 100 Live, 100 Die; Carsten Nicolai: Syn_Chron; Pierre Huyghe: L’Expedition scintillante; Richard Serra: Torqued Ellipse VI; 0100101110101101.org: jodi.org “%20Transfer”.

»Zenith Alignments«. Using star tracking software, minor zenith alignments with celestial bodies were found to occur at multiple intervals throughout the course of the day over various locations. These precise locations were located via GPS. 3-point areas were located at sites of the zenith alignments. These areas were highlighted and clearings were made to coincide with the alignments. So at the moment of the alignment Damon Zucconi would be exposing the ground and aligning himself with the line that extends to the star. These specific alignments were unique to these specific locations, occurring once an annual cycle. This could largely be seen as the process of integrating himself with 90 degree angles, in turn, demarcating larger phenomenological alignments and relations: “the body mapped onto the land onto the heavens above.”

»’At’ Asserting its Object Status«. Found sculpture.

»2d Orthogonal Line Drawing«. Drawing with laser and mirrors. All projects by Damon Zucconi.