VVORK

»Fila«, 2009 by CORNROW RIDER.

“Next Level”, 2009 by Bernhard Garnicnig.

“Use it for what it’s used for (prototype)”, 2009,

“Afognak Abstract #2”, 2009 and “Afognak Abstract #1”, 2009 by Oscar Tuazon.

“Untitled”, 2004 by Manuel Gorkiewicz.

»3692«, 2003 by Pak Sheung Chuen. A used plastic sheet taken from a combination lock at the entrance of a building in Hong Kong. The sheets were placed by property management companies in order to contain the spread of SARS.

»Memory Theatre (A slide of a sun temple’s sacrificial altar, a modified skylight in the Loggia’s dome at Tate St Ives, an Extreme Proxigean Spring Tide, and the correct angle of the sun.)«, 2008 by Adam Chodzko.

»Rwanda«, 2008 by Cornrow Rider.

»Things to Say«, 2009 by Jürg Lehni & Alex Rich. Furniture by Martino Gamper.

»A Colour-Coding of Partch’s Ptolemy Keyboard Based on his Chromelodeon I«, (2008). Digital print applying the arbitrary colour scheme used by the American composer Harry Partch on the microtonal keyboard he constructed, called the Chromelodeon I, to his first-ever constructed instrument, the Ptolemy. The only record of the Ptolemy is a black & white photo. The colour print represents one “octave” (comprised of 41 distinct notes) of the Ptolemy keyboard as it may have appeared. The original instrument was misplaced by Partch sometime in the 1940s. By Craig Leonard.

“Print #4, Untitled (Buddy)” from “Untitled (Stories)“, 2008 by Gareth Long. A series of nine lenticular prints based on the four paperback novels of J.D. Salinger that use and manipulate the iconic but anonymous cover designs. Video.

»Photoshop CS: 110 by 72 inches, 300 DPI, RGB, square pixels, default gradient “Spectrum”, mousedown y=1098 x=1749.9, mouse up y=0 4160 x=0«, 2008 by Cory Arcangel.

»Pool,Pile«, 2003 by Becky Beasley.

»004«, 2008 by Takeshi Murata.

»Land Mark« (Foot prints) #2, Set II, 2001-2004,

Still from »Returning a Sound«, 2004 by Jennifer Allora & Guillermo Calzadilla.

»Four Folding Chairs«, 2006, by Francis Cape.

3D prints of Second Life buildings by Andreas Angelidakis.

C-prints by Shaun Kessler.

“The Palace at 4 A.M.” by Jon Kessler.

»Le monde érotique« is Pierre Joseph’s attempt at recreating a map of the World from memory.

»Exposition Consortium« is a selfportrait showing a tomogram of Pierre Joseph’s brain.

A Full Folded Dictionary by Sam Winston. The sculpture contains no adhesive or binding and its shape is emerged from the 80,000 folds that went into it.