VVORK

“Going Through Walls” by Gints Gabrāns.

“Sammersweg” – computer game modification (unrealEngine2) by Oscar Stegehuis.

»bit.fall« (2006) by Julius Popp.

»One Pixel Self Portrait, Selected« (2007) by Ilia Ovechkin.

»Focus Free«, 2005/06, installation using a modified photo camera. Reversing the photography process, the camera functions as a projection device. Projecting images for only a glimpse of a second, it takes away the primary (freezing a moment) function of the device. By Miha Presker.

»Formication«, 2007, installation by Luiza Margan & Miha Presker.

»relational domain« (2007) by Bianco-Valente.

“Urban Echo” by Christopher Baker, Laura Baker and J. Anthony Allen.

»The Christchurch Menetekel«, 2006, interactiva laser projection.

»Interfacing Landscapes #2«, Wednesday, May 23rd, 2007, animated laserprojection on moutains. By Johannes Gees.

“Dymaxion map of the Earth” by Buckminster Fuller.

»shadowman«, 1999-2002 by Maurice van Tellingen.

“Surrounded” by Yang Zhenzhong.

»A Propósito« (1997) consists of a sculpture of 120 stolen car stereos obtained on the black market, and a looped video projection documenting the artists stealing a car stereo.

»Jedbangers« (1998-2002) deals with the sub-culture of headbangers in Mexico City at the same time as it becomes an allusion to ancient transcendental practices. The video projects onto a screen sitting on top of a wall of speakers that constantly emanate white noise. Both projects by Yosuha Okón.

Interactive, multiple installations made up of various locations, distant from each other, coordinated across the mobile phone network.

»Programmed machines, partial vision« (computers,cables, silicone). By Maurizio Bolognini .

“Dream House” by Sejla Kameric.

»Supreme Success«, 2005 and »Gas«, 2004 (lightprojection) by Cedric Bobay.

Pictures of Space Invasion, an exhibition series that takes place in changing spaces in order to revive various districts of the city in the course of temporary invasions.

»A cube Sol LeWitt photographed by Carol Huebner using nine different light sources and all their combinations front to back back to front forever« (2000) and »Altered to suit (Sol LeWitt incomplete Cube 5–9, 1974)« (2004) by Jonathan Monk.

»Two Keystoned Projectors (one upside down)« (2007) and

»Panasonic TH42PV60 Plasma Screen Burn« (2007) by Cory Arcangel at Galerie Guy Bärtschi.

“808-20B 2004″ – the 10-piece installation draws red light onto walls through laserpointers integrated into sprinkler systems. Video.

“07/13-04″ – the floor was completely covered with adhesive tape – save for a narrow strip where a lightbeam (emitted from a scanner mounted on an opposite wall) moved up-and-down the aisle. Video. By Sabina Hörtner.