“Public Fountain LSD Hall” (Installation View, fountain, homeopathic LSD, glass, water, concrete, metal) by Klaus Weber.
“The Tree”, a 10-meter high, real magnolia tree planted in the center of Chile’s National Stadium. By Sebastian Errazuriz.
»The Christchurch Menetekel«, 2006, interactiva laser projection.
»Interfacing Landscapes #2«, Wednesday, May 23rd, 2007, animated laserprojection on moutains. By Johannes Gees.
»Vue des Alpes« is a project of a fictious hotel on the internet. The site where the hotel is being built has been developed and constructed on a PC pentium III with various 3D programmes since March 2000. By Monica Studer and Christoph Van den Berg.
»Heaven Can Wait« (multiple-channel video installation, 2001-ongoing) by Bull.Miletic explores the idea of panoramic spectatorship through the phenomenon of revolving restaurants. Currently, the video installation features views from the following restaurants:
1. Equinox, Hyatt Regency, San Francisco, CA, USA
2. Top of the World, Stratosphere, Las Vegas, NV, USA
3. BonaVista Lounge, Westin Bonaventura, Los Angeles, CA, USA
4. Donauturm, Vienna, Austria
5. The View, Marriott Marquis, New York, NY, USA
6. Le Tour de Ville, Delta Centre-Ville, Montréal, QC, Canada
7. 360, CN Tower, Toronto, ON, Canada
8. Revolving Dining Room, Skylon Tower, Niagara Falls, ON, Canada
9. Sky City, Space Needle, Seattle, WA, USA
10. Top of Vancouver, Harbour Center, Vancouver, BC, Canada
11. Telecafe, Fernsehturm, Berlin, Germany
12. Egon, Tyholttårnet, Trondheim, Norway
13. Olympiaturm, Munich, Germany
14. Skyline, Fernmeldeturm, Mannheim, Germany
15. Restaurant de la Tour, Tour de l’Europe, Mulhouse, France
16. Piz Gloria, Schilthorn, Switzerland
17. Phare de la Méditerranée, La Phare, Palavas-les-Flots, France
18. Drehrestaurant Allalin, Saas-Fee, Switzerland
19. Le Kuklos, Leysin, Switzerland
20. Turmrestaurant, Florianturm, Dortmund, Germany
21. Top 180, Rheinturm, Düsseldorf, Germany
22. Vuli, Marriott, Stamford, CT, USA
23. Spinnaker, Hyatt Regency, Cambridge, MA, USA
24. L’Astral, Loews Le Concord, Québec, QC, Canada
25. Merlot, Marriott, Ottawa, ON, Canada
26. Skydome, Doubletree Hotel Crystal City, Arlington, VA, USA
27. Perlan, Reykjavik, Iceland
28. Compas, Hyatt Regency, Phoenix, AZ, USA
29. Paukðèiø Takas, Vilnius, Lithuania
30. Cairo Tower, Egypt
»Video as Suburban Condition«, 2007, is a compilation of videos that explores how self-publishing video websites like YouTube change how people imagine suburban places such as back yards or parking lots as settings for showing themselves to others. It was made as a contribution to the »Video as Urban Condition«.
»Untitled I (Google Sleep)«, 2005-2006, installation with photos of anonymous sleeping people. Each photo was selected from an archive of over a thousand of images of sleeping people whose photos were published on the internet and who were found by Google’s image search engine. By Martijn Hendriks.
»free fotolab« (2004-ongoing) evolves from a public campaign, offering the development of 35mm films free of charge in exchange for exclusive universal image rights.
Still from »gercegin geri donusu /the return of the real« (2005). By Phil Collins.
»More Than a Feeling«, 2001. »Punchline«, 1999. Performances by DAMP.
»It’s a World full of Hurt«, 2007, papier mâché piñata collective performance. The 74 and continuing members of collaborative art group, DAMP, have been working togeather since 1995.
»Page 181 of Mrs. GILLRAY«, 2007 by Mathew Hale shown at Clockworkgallery. Clockworkgallery uses the public advertising space of a turnable lightbox at Mehringplatz/Berlin to present 12 solo exhibitons a year.
»PPS (P.A.R.A.S.I.T.E. Public Sculpture)«, 2002 originates spontaneously in urban environments: on streets, in courtyards, next to apartment towers, by garden fences, in apartment-block communities and neighborhoods. It originates as the result of the exchange and gift economies of the local population and is linked to the micro-economy and micro-ecology of relationships. It directly reflects economic wealth/poverty, personal taste, and creativity. PPS is a temporary form. It changes constantly through unloading, shifting, adding, removing, and so on. By Tadej Pogacar.
»Legacy« (2005) is a 21-foot-long rainbow made of cast street sweepings that emerges from a planter on MetroTech Commons in Brooklyn. The rainbow’s seven bands range in tone from brown to gray, and are flecked with color. They are cast from actual debris collected on seven consecutive days by the city’s street sweeping machines: dirt, grit, gravel, gum wrappers, bottle caps, socks, plastic combs, and whatever other litter the sweeper picked up during the course of a day. There is a small bronze beard that appears to be crawling out of the hole in the ground where the rainbow emerges. By Corin Hewitt.
“Fruit & Vegetable stall” – Ivan Morison set up and ran a fruit and vegetable stall.
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