»Truck Facing Eastwards«,2007 , outdoor installation, one 18-wheel white truck, 4 plates of colored plexi-glass.
»Losing my religion«, 2007, installation, colored plexi show-case, laboratory mouse-hutch, text on aluminium. By Hajnal Németh.
»Coloration du Grand Canal, Venice«, 1968 (3 Km of the Gran Canal waters dyed green) by Nicolás García Uriburu.
»Green River«, 1998 – 2000, (unannounced dumping of nontoxic green dye into rivers in four cities around the world: Los Angeles, Stockholm, Bremen and Moss). By Olafur Eliasson.
»Fighting the Flood – Red Flag Canal«, 1994. Performance in Lin Xian, Henan Province.
»Measuring Europeon Union«, 2005. 200 Euro note, acrylic on Qing Dynasty Brick.
»100% Performance Self-Portrait«, 1999 by Wang Jin.
Ruth Ewan’s »Did you kiss the foot that kicked you?« (2006) is an intervention inspired by the song »Ballad of Accounting« by the late English singer, songwriter and socialist Ewan MacColl. For one week, Ballad of Accounting was slipped into the musical repertoires of over 100 buskers and performed across the City of London as commuters journeyed to work.
“(P) Lot” – Conversion of ordinary car covers into portable tents. By Michael Rakowitz.
»The Extras«, 2005-2006, video 13 min. The stars of the video are extras, background performers used in the crowd scenes of films and television series. In the video, an invisible director is telling the Extras to take various positions and formations. The Extras’ reflective clothing and signs they are holding symbolise their work as a background surface, a collective mass whose only purpose is to spotlight the main events and stars. In the background of the video, a voiceover is reading the Extras collective feelings about absurd shooting situations. By Szuper Gallery.
»The Extras«, Sunday, October 16, 2005. Performance with 20 Extras, 3 speakers, 2 directors, 3 cameras, 1 photographer, Mylar placards and banners, held at the square strium of Vancouver public library. By Szuper Gallery. Video.
»Road to Rennes«, 2005,
»Tours de Lumière«, 2006 (a light performance by the residents of three tower blocks) by Ron Haselden.
»La Scala«, 1993, designed for the theatre De Meerse in Hoofddorp. The work was named after the famous theatre in Milan. The origin of this work lies in language. La scala literally means ladder: the object placed on the roof of the theatre is a ladder of words. But the French word for ladder, l’echelle, also means ‘scale’ – the proportions of a map. This meaning evokes an idea of perspective: things that become smaller, vanishing into infinity. So doing, the ladder has been distorted and the perspective lines disappearing into the vanishing point have been emphasised. By Martine Neddam.
“An electric cupboard used as a temporary desk, version 1-4” from the series “Adaptation” by Sans façon.
